By reading the graphic, architectural, and photographic records of the work by Le Corbusier through a feminist lens, we can see that it is loaded with codes and systems of meaning that reflect his attitudes, and those of society, about women's place within the context of his modern architecture. By giving us a glimpse into his subconscious, these clues disturbingly confirm what has always been insinuated, that Le Corbusier objectified and had an aversion toward women. The canonization of his oeuvre has rendered this and subsequent related work problematic through its gendered associations and meanings.