Abstract
Missbronte has written a hideous, undelightful, convulsed, constricted novel … one of the most utterly disagreeable books I ever read,“ wrote Matthew Arnold to his friend Arthur Hugh Clough, shortly after the first publication of Villette. The novel struck Arnold mainly as a case of morbid religiosity. Only a month later another critic, George Henry Lewes, writing more from the point of view of the amateur psychologist, said of the very same novel: ”It is a work of astonishing power and passion. From its pages there issues an influence of truth as healthful as a mountain breeze.“ These are typical of the antithetical responses that Villette has always evoked.