ISSN / EISSN : 1392-8295 / 2335-2388
Current Publisher: Vilnius University Press (10.15388)
Total articles ≅ 186
Latest articles in this journal
Respectus Philologicus pp 240-243; doi:10.15388/respectus.2020.38.43.71
Respectus Philologicus pp 230-239; doi:10.15388/respectus.2020.38.43.70
Wolfgang Amadeus Mozart had to give way to The Bravo Boys music band. This is what the authors of the textbook entitled Ping Pong 1 and Ping Pong neu 2 have decided to do in the current edition of their book. So, they decided to replace its contents concerning the Composer himself and other representatives of classical music with the report from the concert of the BB. The article attempts to determine who, what characters from the real world populate in contemporary German textbooks, what cultural content it has and whether or not it conforms with the core curriculum standards of the Polish education system. To this end, selected German language textbooks have been analyzed along with the practice material offered by them. The authors of examined textbooks have almost completely abandoned depicting representatives of high culture, of German culture. They have been replaced with representatives of mass culture: mainly models, actors, athletes as well as politicians. Their common feature is the fact that they are universally known: the majority are celebrities while some of them are scandalists. The fact that these persons can be easily recognized seems to increase the students’ learning involvement, but it cannot constitute the only criterion of such selection. The article stresses the responsibility of textbook authors for the quality of cultural message addressed to children and teenagers.
Respectus Philologicus pp 117-129; doi:10.15388/respectus.2020.38.43.61
The subject matter of the article is different linguistic means of political conflict communication proper to the presidential discourse in Lithuania (2019). The research deals with the conflict communication of the three most popular candidates (according to sociological surveys) – G. Nausėda, S. Skvernelis, and I. Šimonytė. The political discourse of all three candidates is aimed at а positive self-representation; direct or indirect imputations of lack of sustained political commitment from the former president or their political opponents; accusation of pursuing their personal interests, or even making detrimental actions to the state and the society. The most prevalent meaning field in Nausėda’s discourse is welfare – detriment where THEY (former presidents, political parties and their representatives) are granted negative nominations, which are contrasted to positive nominations related to the latter candidate. The most prevailing meaning field in Skvernelis’s discourse is active and responsible state – inactive and irresponsible state which is expressed with the help of two sets of oppositions I – SHE (Grybauskaitė) and I – THEY (Parliamentary opposition and former political majority). The most popular meaning field in Šimonytė’s discourse is welfare – detriment, expressed with the help of I – THEY (members of the Lithuanian Farmers and Greens Union) opposition.
Respectus Philologicus pp 55-66; doi:10.15388/respectus.2020.38.43.57
The article focuses on the metaphorical conceptualisation of the #MeToo movement, which has spread virally as a hashtag used on social media in an attempt to demonstrate the widespread prevalence of sexual assault and harassment. The #MeToo movement as a social issue is looked at from the perspective of Critical Metaphor Analysis (CMA) (Charteris-Black 2005/2011, 2014, Musolff 2004, 2016, Koller 2014, De Landtsheer 2009, Hart 2010). CMA is a blend of Cognitive Metaphor Theory and Critical Discourse Analysis that aims at identifying how metaphors are used to describe socially contested issues and how they reveal speakers’ hidden intentions and attitudes (Charteris-Black, 2014, p. 174). CMA is also concerned with the different functions metaphors may perform. A predicative function, being one of many, is most likely to explain how socially sensitive issues are communicated (Charteris-Black, 2014, pp. 204-207; Musolff, 2016, p. 4). In other words, it implies positive or negative attitudes expressed towards certain issues. Thus, the paper aims to study how the predicative function of metaphor manifests in the discourse of contemporary social concerns cross-linguistically and cross-culturally. In other words, the paper looks into how different attitudes towards the #MeToo movement are communicated via metaphors in Lithuanian and English media and how they shape prevailing public attitudes.
Respectus Philologicus pp 214-229; doi:10.15388/respectus.2020.38.43.69
In this article, the problems of dubbing, especially related to lip synchrony as one of the most challenging aspects of audiovisual translation, are scrutinised. Contrarily to the traditional focus on bilabials and open vowels, the object of this research is lip synchrony of both rounded and protruded vowels and diphthongs since lip rounding is a visibly marked feature, which cannot be neglected especially in close-ups. The study aims at determining the inaccuracies in lip synchrony of the mentioned phonemic group in the dubbed animated feature film Cloudy with a Chance of Meatballs 2 from English to Lithuanian. Qualitative and quantitative analysis is carried out by employing a comparative method. The research methodology is based on the theoretical insights and assumptions provided by Frederic Chaume (2004, 2006, 2012), Richard Barsam & Dave Monahan (2010), and Indrė Koverienė (2015). The research findings demonstrate the main issues of lip synchrony a translator might face while adapting a piece of audiovisual material for the target language audience. Also, it provides insights into the quality of the overall translation of the chosen film.
Respectus Philologicus pp 150-162; doi:10.15388/respectus.2020.38.43.64
The article provides comparative analysis of Apple Blossoms by Mykhailo Kotsiubynsky and The Apple Tree by John Galsworthy. Both authors explore human morality in a crisis of confrontation between sensuality and death, the beauty of life and the beauty of art. At the structural level, the works share an element of paratext, novelistic nature, polysemic images-landscapes, and methods of psychologization. Galsworthy engages the antinomy of the city – province, resorts to irony, and combines elements of impressionist writing with the traditions of realistic socio-psychological prose. In contrast, Kotsiubynsky systematically implements the impressionist fragmentary nature of the composition, symbolism of visual and auditory images, in-depth psychoanalysis, and the conventionality of the chronotope. The issues of short stories are diversified and aesthetic – as is distinct for modernist literature – implicitly in Kotsiubynsky’s work, and most explicitly through the connections with the Antiquity and English intertext in Galsworthy’s prose.
Respectus Philologicus pp 244-249; doi:10.15388/respectus.2020.38.43.72
Respectus Philologicus pp 85-100; doi:10.15388/respectus.2020.38.43.59
The paper approaches the dialect-exploratory discourse, which concerns the interpretation of sustainability of dialecticity in the city. The given research aims at the evaluation of the sustainability of dialecticity in the city by performing the analysis of the emic narrative, i. e. the narrative of an ordinary member of the language community. In the city zones, the natural horizontal language continuum is disturbed; hence, from the perspective of etic, or the researcher, the problem of the co-existence, competition, levelling, etc. of different regional variants arises. What regards the emic perspective and the methodological inventory allowing for its formation, it should be stressed that it concerns the identification of the dialecticity conditions, or conditions determining variability that includes dialects. The emic narrative, or in other words, the I think that ... narrative, when reconstructed based on the empirical material collected for the research in perceptual dialectology embracing three Lithuanian cities, gives a piece of proper information to model the here and now and, to some extent, the future dialecticity projections. When discussing the problem of sustainability of dialecticity, the author concentrates on the segments of the reconstructed emic narrative that cover the reflection of language behaviour, estimation of language environment and a priori language attitudes toward the use of dialect codes.
Respectus Philologicus pp 163-175; doi:10.15388/respectus.2020.38.43.65
This article presents the creation of art – a poesy – in the context of the theory of communication. Multimeaning of the concept of communication supposes plenty of attitudes and considerations and complexity of definition. There exist two different schools of communication studies, one being the process school and the other being the semiotic school. The process school is cantered on the transmission of messages and understanding the effects of it. The semiotic school focuses on communication being a production and exchanging of meanings. It researches how messages and texts interact with people. Since the creation of art is considered as communiqué, so its conveying content relates with, a spiritual link a creator and a perceiver. The article discusses a poem as a communiqué, its place in the structure of the process and semiotic communication models. The article also discusses poesy as a message and its communicativeness, informativeness, and importance. O. Baliukonė’s poetry was taken to implement this aim. The fulfilled research demonstrated that O. Baliukonė actively communicates with a reader through her poems. Decoding is the same creative process as encoding; thus, in this article, attention is paid to the poet’s and also to a reader’s creation of the meaning of a message.
Respectus Philologicus pp 141-149; doi:10.15388/respectus.2020.38.43.63
Based on the insights of modern philosophers, particularly Zygmunt Bauman, the work examines how cultural memory can be affected by globalisation and what kind of challenges arise when collective truths are passed on from generation to generation. The sources selected for the analysis are modern dystopias that design possible versions of cultural response. Other subjects significant to the research include phenomena of modern culture that help to uncover the latest trends and the views on cultural heritage held by people of the 21st century. The article comes to the conclusion that the changes of cultural memory in a fluid modern world can be affected deeply by factors such as the ideology of consumerism and the insularity of a web community, but this is only a possibility. Western authors Aldous Huxley and Michel Houellebecq place a stronger emphasis on determinism, whereas Lithuanian writer Jaroslavas Melnikas highlights the possibility of freedom. Nevertheless, notably, all of these texts are projections that primarily encourage critical thinking and demonstrate the ambivalence of the current situation. Contemporary culture is likely at a turning point, but the results of the transformation are still unclear.