Abstract
In the middle of the year 2017, a good sculpture of Saint Mary Magdalene was published by an exhibition held at Isbilya Subastas (Seville). It was attributed to the sublime Granadan sculptor Jose de Mora. The current paper aims to reject such attribution as well as indicating another one in favour of the Vallisoletano master Pedro de Avila. Certainly, the authorship of this sculpture can be connected with this author due to the existence of complete similarities with his style.