Abstract
This essay explores the specific artworks of Asian American artists Tomie Arai and Flo Oy Wong as complex articulations between culture, identity, history, and memory. Based on oral history interviews that were integral parts of their artistic processes, Arai and Wong created works that explored the family histories and memories of Asian immigrants and Asian Americans living in New York City’s Chinatown and California. Their artworks open up a space to explore memory as a way of knowing that is shaped not only by what is said, but more importantly by what is not said—by silences and secrets. This essay explores the specific artworks of Asian American artists Tomie Arai and Flo Oy Wong as complex articulations between culture, identity, history, and memory. Based on oral history interviews that were integral parts of their artistic processes, Arai and Wong created works that explored the family histories and memories of Asian immigrants and Asian Americans living in New York City’s Chinatown and California. Their artworks open up a space to explore memory as a way of knowing that is shaped not only by what is said, but more importantly by what is not said—by silences and secrets.