Abstract
The article presents a critical analysis of two novels by contemporary Arab Muslim women writers, Leila Aboulela and Mohja Kahf. The article examines how these authors critique, resist, and disrupt the hegemonic discourse that presents Muslim women as a monolithic and homogeneous category. In The Translator and The Girl in Tangerine Scarf respectively, the female protagonists’ religious experiences and identities are studied with reference to resistance narratives and disruptive postcolonial strategies. The unsettling of the monolithic image of veiled Muslim women is hereby pursued through providing an analysis of the cultural imagery of Muslim women, to deconstruct the image of the veil in today’s world.