Abstract
The historiography of architecture has run parallel with that of film, but historical figures from each of these spheres have moved between the two without being restricted by the linearity and straitjacketing of each professional circle. These annotations on the first two Spanish film conferences held in Madrid, First Spanish Film Conference (1928) and Hispanoamerican Film Conference (1931), serve as proof of the permeability between these circles and of the contribution to bridging the gap between architecture and film, as shown in some fundamental professional career paths followed today.