Chapter 2 focuses on Erskine Caldwell and seeks to complicate understandings of his best-known works Tobacco Road and God's Little Acre. Though often derided for mocking the poor and using them as comic relief, Caldwell works to instil a sense of anger in readers as he reveals the economic plight of tenant farming during the Great Depression. In addition, the chapter looks at Caldwell's nonfiction work, including his phototext You Have Seen Their Faces, written with photographer Margaret Bourke-White, and contrasts its cultural context with the comparatively better known Let Us Now Praise Famous Men. In addition, the chapter considers Caldwell's journalism, which originally raised national attention to the plight of the farmers he later immortalized in his fiction. Finally, the chapter closes by considering Caldwell’s later career and fall from critical favour.