Anisul Hoque’s Ayeshamangal (2010) has been a text of quite critical acclamation in Bangladesh due to its presentation of acourageous village woman, Ayesha- who struggles in the context of post-independent political turmoil in Bangladesh insynchronization of a legendary figure in Bengali folk myth, Behula. This study provides a reading of Ayeshamangal’sEnglish translation, The Ballad of Ayesha (2018), in order to find out the cultural implications in the source text (ST) and thetarget text (TT). Translators face the problem of treating the cultural aspects of a ST and then its appropriate transfer to theTT and target language (TL). In this novel, the translator faces such a dilemma on various occasions. The ST extensively usesa certain dialect of the source language (SL). This paper investigates the transfer of this dialect of Rangpur region to thetarget language (TL).The paper examines the techniques used by the translator to successfully convey the aspects of Bengaliculture into the TL of the novel. This study also focuses on translations of certain lexical contents, ways of life and the mythof Behula. Thus, the current paper investigates the translation strategies and procedures used in the TT from certaintheoretical perspectives in translation studies and argues that the translator attempts for an overall equivalent effect in the TT,though he fails to provide the taste of important cultural aspects of Bangladesh to the TT readers.