The formal diversity in designs is achieved by creating shapes and lines with a distinct movement pattern, which are preceded by mental processes. The greatest source of diversity in design in general and industrial design in particular is the creation of multiple directions for the completion of designs and the diversification of intellectual proposals for the design idea. The human activity that takes place around us in various fields of life takes place due to the diversity of movement in the form of the design product and its effectiveness through the dynamic diversity in the form, which differs in the methods of designing and showing it. He invents material value as a distinct artistic product that he owns A specific form or system that serves the recipient and is influenced by the control of the composition of the product to shape its shape and achieve the functional and aesthetic purpose in its construction in order to highlight the expressive ideas that the “designer” would like to communicate to the recipient. Thus, the first chapter included the question of the problem in the following question: What is the effect of kinetic diversity on the formal variables of the industrial product?Depending on its limits: Objectively: kinetic diversity and its effectiveness in the formal variables of industrial product design spatially: the Internet and temporally: 2010-2020. On the theoretical framework and previous studies according to the following division: The first topic included: the concept of movement and movement diversity and its effectiveness in design. The second topic included: dynamic diversity and its relationship to the external appearance of the industrial product. Then finish with the theoretical framework indicators.The third chapter contained the procedures, including: The research community, which is a group of industrial products with diverse motor performance in the design of the external shape, as it was determined in (20) models deliberately selected through the Internet for the period between (2010-2020) due to its suitability to achieve the goal of the research. The research sample included industrial products with motor performance of the formal variable, for which (2) samples were chosen from the comprehensiveness of the research community. He devoted his approach to the descriptive analytical approach for the purpose of obtaining valid results.The researcher analyzed his samples and summarized a number of results and conclusions, including: The formal variable of the kinetic design pattern came in a different way than the traditional designs, as in Model No. (1), as well as employing modern mechanical elements for the formal variables, especially Model No. (2).2. The formal vocabulary in the design of the product was determined by the ease of changes in form and function, within the determinants of the formal organization of the product, as in model (1,2), as it is considered a preliminary foundation for the effectiveness of constructive relations in the general formation of the kinetic system of the product's shape.

The researcher was interested in studying a crucial aspect of the systematic world music culture. He highlights the analysis of the harmonic construction in the musical compositions of the artist Khalil Ismail, where harmony is a significant Western musical science, a pillar of the structure of instrumental and vocal music.It depends on the compositions of vertical sounds performed simultaneously, as tones coincide and are sometimes dissonant to give sound resonance that enriches musical work and attracts recipients. Hence, the researcher has many questions, including: Can the composition of the writings of the artist Khalil Ismail determine in an objective research framework? Is there a study on this subject in some detail? which leads the researcher to search for answers.However, no previous studies have had found in this regard; The researcher is therefore convinced that there is an urgent need to write this research and study the all-important part of his harmony construction.

جاءت مشكلة البحث من خلال التساؤل الاتي (ماهي فاعلية التصميم النشط في المنتجات الصناعية المعاصرة)، وأكدت أهمية البحث على جعل المجتمع بأفراده في حالة نشاط إيجابي، وبما يمكن ان يساعد تصميم المنتج الصناعي على تحقيق ذلك، اما هدف الدراسة فهو (تحديد سمات ومبادئ التصميم النشط وفاعليته في المنتج الصناعي)، وتحددت الدراسة بالمنتجات الصناعية المتعلقة بالنشاط اليومي والترفيهي والرياضي، وللفترة من عام (2018-2020م)، اعتمد المنهاج الوصفي في تحليل العينة، وصنف مجتمع البحث على وفق نوع النشاط اليومي والترفيهي والرياضي، وكان اختيار عينة البحث قصديا، اعتمد الباحث على استمارة تحديد محاور التحليل لنماذج العينة، ليتم التوصل الى نتائج البحث نذكر أهمها:تحقق مبادئ التصميم النشط بإيجاد سمات بنائية وتنظيمية والتوافق مع سياق الاستخدام

This study is targeting the new developed materials and techniques and how they were affected by the scientific and technological developments that contributed to revelated new and varied developed materials and techniques. And from the artist’s formulation by using the materials and techniques and through its embodiment and sensor the values, artistic and aesthetic standards by breaking from the familiar in aesthetic contemporary way.The studies on questioning what’s the role of The New Developed Materials and Techniques in exposing the aesthetic of the art work? This study is to show the aesthetic of the art work through the new developed materials and techniques. Which was based on descriptive analyzing method and highlighted as the result on the study on the importance of the new developed materials and techniques which is considered unusual to build and artwork and contains a different art values and to keep up with the new industrial innovations by using it in forming the art work which enriches the field of art. Moreover, developing contemporary art works based on the aesthetics of developed materials and techniques and by using the un traditional methods it made it possible to have a different creative texture of forming, which contributes to expose a unique aesthetics value together by using new developed material in one art work. The study recommended the importance of following up the technology development of the materials and different possibilities of forming and the benefits in the art works. Furthermore, to raise aesthetic awareness by continuing on trying new materials and to figure out a new different forming connection in the art work.

The formal integration of the interior spaces in general and the commercial spaces of the watch shops in the large commercial centers in particular is the goal that the designers aim to reach in order for the interior space to become successful in terms of the design idea and its characteristics. Implementation mechanism. One of the reasons for achieving formal integration in the interior spaces of watch shops is the requirements of the design that must be available in these spaces to reach a state of formal integration between the interior and the exterior so that the space becomes fully integrated in all respects. Because of the aforementioned reasons for dealing with the research, through four chapters: The first chapter included the research plan and its problem, which was summarized in the following question: (What are the design requirements that must be available in the interior design? Shop spaces that sell watches as commercial spaces require formal integration)? The importance of the research, its objective, the objective limits, the spatial and temporal limits of the research were also highlighted, and the most important terms mentioned in the research title were identified. As for the second chapter, it included previous studies and the theoretical framework, which included two parts. The first dealt with formal integration into the interior spaces. As for the second, it dealt with the internal commercial spaces in all its details, in addition to the results of the theoretical framework in terms of indicators. As for the third chapter, it was devoted to the research procedures, as the researcher relied on the descriptive approach in analyzing the selected samples and models. The fourth chapter also included the results of the analysis and the conclusions obtained in light of the research objective, recommendations and proposals. and a list of sources and appendices.

The research discussed the topic of the functional role of responsive materials in being elements of a functional transformation in the design of industrial products, based on the study of the structures of smart materials and their performance capabilities at the level of action and self-reaction that characterize this type of materials. Basic features of responsive materials have been identified to be elements of self-functional insertion into the industrial product design, which contributes to raising the efficiency and functional capacity of the industrial product and enhancing the ability of products to perform self-acting interactions in the structural structure of the material structure of the product and its ability to respond and interact with context variables. environmental. The responsive materials were classified into: electrical insulating materials, ceramics, piezoelectric polymers, shape memory alloys, shape memory polymers, thermoelectric materials, and electrical and magnetic fluids. And according to the cognitive propositions of research and discussion of methods and types of performance application of the characteristics of self-response materials in the design of industrial products that have the ability to self-response, a number of scientific conclusions were reached, which were, in their entirety, a scientific analysis of what and how of the design application of the characteristics of responsive materials in creating new functions in Industrial product design.

يهدف البحث إلى دراسة مدى انعكاسات مبادئ الباوهاوس في التصميم الكرافيكي المعاصر والكشف عنها. حيث حدد الباحث الحد الموضوعي/المكاني/الزماني: دراسة انعكاسات الباوهاوس في تصميم الملصق الكرافيكي في ألمانيا سنة2020. وتناول الإطار النظري في المبحث الأول (النشأة و عوامل ظهور مدرسة الباوهاوس و سماتها)، أما المبحث الثاني فتطرق إلى (المعطيات الفكرية والوظيفية والجمالية لمدرسة الباوهاوس) و بعدها تم الخروج بالمؤشرات التي أسفر عنها الإطار النظري. كما ذكر أربع دراسات سابقة، ناقش إحداها تفصيليا، و في الفصل الثالث حدد منهج و مجتمع و عينة البحث و حلل النماذج المختارة، أما في الفصل الرابع، فتم الخروج بالنتائج التالية: ظهرت العينة معبرة عن أهم المعطيات الوظيفية لمدرسة الباوهاوس وانعكاساتها على التصميم الكرافيكي و استخدم المصممون أهم المعطيات الشكلية للباوهاوس من خلال توظيف الأشكال الهندسية، و كانت الاستنتاجات: أن الانعكاسات الشكلية لمدرسة الباوهاوس في تصميم الملصق جاءت نتيجة لتوظيف تلك المعطيات في كافة نماذج العينة. واختتم البحث بالتوصيات والمقترحات وقائمة المصادر والملخص باللغة الإنجليزية.

The current specialized research tagged (intellectual and artistic concepts of the cultural context and their impact on contemporary ceramic sculpture) paves the way for the emergence of the context in ceramics active in life, so that this relationship will indicate the development and presence of ceramics or not and the volume of its circulation in the joints of the culture of the Arab recipient. As a result, the researcher collected scientific materials to serve the subject of the research in four chapters: Chapter One (General Methodological Framework) To clarify the problem of the research, the importance of the research to achieve benefit in higher education and education for scholars and teachers, while the research aims to reveal the development of cultural contexts and their impact on the production and circulation of contemporary Arab ceramic art. They are the Arab countries, then the search terms were identified and defined. As for the second chapter (theoretical framework), it included three axes: the first: meaning Context. The second axis: thinkers' views of the context in language and linguistics. The third axis: the emergence of the context as representations in the artistic form, and in the third chapter (research procedures) the researcher reviewed the presence of ceramics in the Arab reality through the analysis of ceramic sculptural patterns. The researcher aims to select a sample that represents the boundaries of the research, its aim, and the framework of society. - Research tool: In order to achieve the goal of the research and to identify (the intellectual and artistic concepts of the cultural context and their impact on contemporary ceramic sculpture The researcher adopted the indicators concluded by the theoretical framework, and the researcher concluded in the fourth chapter a number of results: 1- The Arab audience formed a presence represented in the demand for works with peripheral contents in favor of types of cultural and artistic reception in addition to the factional and media. 2- Formal behavior in art. The contemporary Arab, the Arab recipient voluntarily accepts the forms within the ceramic sculptural work and its abbreviations brought by the postmodern culture other than what we have seen, as it simulates the forms through their symbols and meanings on the one hand and preserves their contents on the other hand. In addition to the conclusions, recommendations and proposals.

يعد الإعلان أداة مهمة ومؤثرة في العمليّات التّجاريّة المختلفة، كونه يمثل وسيلة اتصال تعتمد التأثير على الافراد لو المجتمع ككل، تعمل على وصل بين المنتج والمستهلك، لذلك تظهر اهمية الاعلان ببعدين الاول اقتصادي متمثل بدوره في تحقيق النموّ الاقتصاديّ للمنشأة، اما البعد الاجتماعي فيكمن في دوره بالتأثير في سلوكيات وافكار الافراد، ومن هنا تظهر لنا اهمية صياغة وتنظيم وتصميم الرسالة الاعلانية التي تلجأ لها الوكالات الاعلانية في حملاتها الدعائية هو موضوع (النداء البصري) الذي تعنى به هذه الدراسة عن طريق طرح مشكلة البحث المتمثلة بالتساؤل الآتي: ما هو دور للنداء البصري في التوجيه والتعريف ورفع مستوى الرسالة الاعلانية للمنتجات المحلية واقتناءها؟فيما حُدد هدف البحث في كشف النداء البصري وانعكاساته في التصميم الاعلاني، واهتم الإطار النظري بمبحثين, تطرق المبحث الأول إلى خصائص النداء البصري وتشكيل الخطاب، اما المبحث الثاني فتطرق الى النداء البصري في الاعلان التجاري، وفي الفصل الثالث تم وصف وتحليل (2) نماذج بحثية، مرتكزة إلى فقرات التحليل المستنبطة من الإطار النظري، وما تمخض عنه من مؤشرات وتضمنت عرضاً...

تعد الدراما إحدى وسائل نقل التجارب الإنسانية، إذ تقدم في طياتها الأفكار والرؤى الحياتية للمتفرج، والذي يكون خاضعاً لتأثيرها عليه، مسلوب الإرادة أمام سحرها وفنون عرضها المختلفة، التي تغزوه بأبعادها وتؤثر في مرجعياته، وهذا الشكل الفني قائم على قصص تدور حول شخصيات متورطة بأحداث نمت نتيجة مناضلة خصمين متنازعين، أو قوتين أو عاطفتين متعارضتين، تولَّدا نتيجة صراع إرادي، إذ يمثل هذا الصراع الدرامي أهم عناصر تلك الأحداث، ويتجسد بمشهد محتوم يبرز على المشاهد الأخرى، ويخضع هذا المشهد أحياناً الى توقعات المُشاهد الذي يركز كل جهده في انتظار لحظة التصادم، والتي تمثل بدورها مشهداً ملزماً لابد من الوصول اليه، ولهذا وجد الباحث أن من الضروري تسليط الضوء على هذا الموضوع لأهميته، فتمثلت مشكلة البحث في التساؤل التالي: (ما هي الضرورات الدرامية التي تقتضي وجود المشهد الملزم في بنية الفيلم الروائي؟)، اما الإطار النظري فقد شمل مبحثين: الأول: المشهد الملزم: المفهوم والاشتغال، أما الثاني: التأسيسات الصورية والصوتية للمشهد الملزم في الفيلم الروائي. بينما إجراءات البحث، فقد اتخذ الوصفي التحليلي منهجاً له، وعينة...