Jurnal Kajian Seni

Journal Information
ISSN / EISSN: 2356296X / 23563001
Total articles ≅ 119

Latest articles in this journal

Elizabeth Suryani Ongko, Alfi Syahrurridhani, Adinda Ayu Kusumawardani Sutrisno
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 41-56; https://doi.org/10.22146/jksks.75661

Abstract:
Kajian Motif Batik Gajah Oling dalam Busana Tari Gandrung Khas Banyuwangi dengan Pendekatan Etnosemiotika dan Estetika
Ricky Irawan
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 19-40; https://doi.org/10.22146/jksks.77104

Abstract:
Lagu-lagu daerah telah memainkan peranan penting sebagai representasi keindonesiaan dalam ranah musik. Ia tidak hanya menjadi musik hiburan, namun juga diterima sebagai artikulasi kemajemukan dan kekayaan suku bangsa dan budaya Indonesia. Artikel ini bertujuan untuk menelusuri, kapan dan bagaimana lagu-lagu daerah muncul dan mendapatkan maknanya sebagai identitas keindonesiaan. Menggunakan pendekatan historis serta metode kajian literatur, lensa pengamatan diarahkan pada rentang 1950-1960an sebagai kurun di mana isu budaya daerah intensif memenuhi ruang-ruang diskurs nasional sebagai implikasi kebijakan budaya pemerintah Orde Lama pada masa Demokrasi Terpimpin. Hasil penelusuran mendapati bahwa kebijakan budaya pada kurun Demokrasi Terpimpin telah mendorong lembaga-lembaga kesenian, musisi dan industri rekaman memobilisasi lagu-lagu daerah Indonesia untuk tampil ke tengah panggung musik nasional sebagai identitas musik Indonesia sekaligus sebagai counter culture musik popular barat. Pada kurun itu untuk pertamakalinya, lagu-lagu yang hari ini dikenal sebagai lagu daerah direkam secara modern dalam bentuk piringan hitam oleh berbagai musisi dan perusahaan rekaman dalam negeri.
Yuliarma Yuliarma
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 98-115; https://doi.org/10.22146/jksks.77237

Abstract:
Kombinasi Warna Sulaman Suji Cair pada Produk Selendang di Daerah Koto Gadang Sumatera Barat
Miftahul Adi Suminto
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 116-134; https://doi.org/10.22146/jksks.73169

Abstract:
Identitas Visual pada Coffeeshop dan Warung Kopi di Surabaya
Hendrik Leonard Simanjuntak
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 57-84; https://doi.org/10.22146/jksks.77071

Abstract:
Pilihan Komponis Piano Indonesia terhadap Struktur dan Bentuk Musik sebagai Upaya Menghadirkan Kebaruan dalam Penyusunan Karya
Abdur Rizky Akbar
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 1-18; https://doi.org/10.22146/jksks.71471

Abstract:
Pertunjukan Beralas Bumi Beratap Langit: Investigasi Keaktoran dan Ruang melalui Site-Specific
Shelvira Alyya Putri Anjani, Hery Supriaza
Published: 29 October 2022
Jurnal Kajian Seni, Volume 9, pp 85-97; https://doi.org/10.22146/jksks.72221

Abstract:
Stereotip Sinden Sunda: Keadilan Perempuan dalam Berekspresi Seni
Naufal Anggito Yudhistira
Published: 10 April 2022
Jurnal Kajian Seni, Volume 8, pp 178-192; https://doi.org/10.22146/jksks.71475

Abstract:
Hikayat Banjar contains traces of ancient arts around Banjar kingdom. In this work, the poet states that the customs in Banjar have their roots in Majapahit in many times. The artistic traces of this text also show a connection with Javano-Balinese art. The aims of this research to reveal the past art forms that contained in Hikayat Banjar and see their relationship with Javanese art. The approach of this research is culture as text. In Hikayat Banjar there are various types of traditional music, dance, and traditional drama. These art forms show a similar pattern with Javanese and Balinese art, especially from the palace. These performing art in Hikayat Banjar show the relationship between Banjarese and Javanese arts. From a musical point of view, gamelan in Hikayat Banjar is closely related to the karawitan tradition in Javanese courts. The dance in Hikayat Banjar shows similarities to the wireng genre in Java. The form of theatre in the Hikayat Banjar separated in two kinds, the drama that played by humans and puppets. This traditional theatre form has a close relationship with Javanese and Balinese arts in the past. Despite having the same artistic roots as Java and Bali, the arts in Banjar developed in the different situations and conditions. The relationship between Javanese and Banjar arts also related to the migration from Java to Banjarmasin in the 17th century.Keywords: Hikayat Banjar, performing art, karawitan, dance, traditional theatre. AbstrakHikayat Banjar memuat jejak kesenian kuno Banjar dan sekitarnya. Dalam karya ini, penyair berkali-kali menyatakan bahwa adat di Banjar berakar dari Majapahit. Jejak kesenian dari teks ini juga menunjukkan adanya kaitan dengan kesenian Jawa dan Bali. Penelitian ini bertujuan untuk mengungkap bentuk kesenian masa lalu yang tertuang dalam Hikayat Banjar dan melihat kaitannya dengan kesenian Jawa. Penelitian ini berpegang pada pendekatan bahwa kebudayaan adalah teks. Dalam Hikayat Banjar terdapat berbagai jenis karawitan, tari, dan drama tradisi. Bentuk-bentuk kesenian itu menunjukkan adanya kesamaan pola dengan kesenian Jawa dan Bali, khususnya dari lingkungan istana. Jejak-jejak itu menunjukkan hubungan antara kesenian Banjar dengan Jawa. Dari segi seni musik, gamelan di Hikayat Banjar terkait erat dengan tradisi karawitan di istana-istana Jawa. Seni tari dalam Hikayat Banjar menunjukkan kemiripan dengan genre tari wireng di Jawa. Bentuk teater dalam teks Hikayat Banjar ada yang dimainkan oleh manusia dan ada yang menggunakan wayang. Bentuk teater tradisi itu memiliki kedekatan dengan kesenian Jawa dan Bali pada masa lampau. Walaupun memiliki kesamaan akar kesenian dengan Jawa dan Bali, kesenian di Banjar berkembang mengikuti situasi dan kondisi yang berbeda. Pertalian kesenian Jawa dan Banjar terkait dengan adanya perpindahan penduduk dari Jawa ke Banjarmasin pada abad ke-17. Kata Kunci: Hikayat Banjar, seni pertunjukan, karawitan, tari, drama tradisional.
Achmad Ari Fathoni, Swastika Dhesti Anggriani, Lilik Indrawati
Published: 10 April 2022
Jurnal Kajian Seni, Volume 8, pp 193-214; https://doi.org/10.22146/jksks.73636

Abstract:
Ngopi culture of the Indonesian people today will proliferate services that provide various types of coffee drinks and comfortable and aesthetically pleasing seats. One of the cafes that provide this service is Noch Kafe, located in Malang City. This study aims to determine the visual elements of the interior at Noch Kafe and to determine the visitor's response to the visual elements of the interior. The study was conducted using qualitative methods to analyze descriptive data and images, and quantitative methods of percentages to analyze visitor response data. Descriptive data were obtained through interviews, documentation, and observation, while the response data were obtained through questionnaires. The results showed that the visual elements of the interior have a Scandinavian style with a blend of modern styles and are adapted to the climatic conditions and Indonesian culture. Space-forming elements are made simple and function properly. These can be seen through application of wood materials and the choice of white color on the walls. In addition, the form adapts to climatic conditions, as seen in glass ceilings and walls. Furniture is also made of wood and is simple in shape and according to its function. The results of visitors' responses to visual elements influenced by personal experience show a good/excellent response to most of the visual elements. However, the survey results also concludes that visitors are disfavored with the shape of the table, the shape of the shelves, the night lighting on the terrace area, and the photo/picture decoration.
Kartini Ruth Maduma Manalu, G. R. Lono Lastoro Simatupang, Nyak Ina Raseuki
Published: 10 April 2022
Jurnal Kajian Seni, Volume 8, pp 117-131; https://doi.org/10.22146/jksks.73079

Abstract:
This research is an attempt by the author to answer various debates that exist to this day. This debate is often a stumbling block for musicians and also in the field of formal and non-formal education. They are in a confusing position because of the various terms that exist and the identification of the concept of Indonesian vocal music composition which is less comprehensive. Therefore, there is a personal selfishness that tends to reduce the true meaning of the work itself. The author uses a musicological perspective as an entry point to provide a new discourse regarding the composition of Indonesian vocal music. This musicological approach is a process of study, investigation and reflection while still paying attention to the relationship between context and compositional work. The author is also aware of the limitations of the space and time of the research, so that this research is not possible to fully cover all vocal music works composed by Indonesian composers. However, the author believes that the research approach carried out can be used to discuss other vocal music works.
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