ES Review. Spanish Journal of English Studies

Journal Information
ISSN / EISSN : 2531-1646 / 2531-1654
Published by: Ediciones Universidad de Valladolid (10.24197)
Total articles ≅ 62
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Marta Bagüés Bautista
Es Review. Spanish Journal of English Studies pp 283-303;

This article explores the importance of the written word of the Holloway Jingles in the fight for female suffrage through the analysis of the Foreword, “There’s a Strange Sort of College” and “L’Envoi.” Firstly, it will focus on the importance of writing as a venting tool for the suffragettes and it will demonstrate the idealization of imprisonment in the collection by comparing it to realistic and autobiographical accounts of life in Holloway Gaol, as well as the relevance of such an idealization in order to strengthen the bonds between the suffragettes both inside and outside of prison. Secondly, it will explore the impact of the collection within the feminist movement relating it to Virginia Woolf’s and Mary Wollstonecraft’s ideas, thus focusing on a wider notion of justice and freedom that was essential for their emancipatory fight.
Aroa Orrequia-Barea, Encarnación Almazán Ruiz
Es Review. Spanish Journal of English Studies pp 127-153;

Due to Brexit, the UK has been involved in a continuous political debate between Boris Johnson, the Prime Minister, and Jeremy Corbyn, the leader of the opposition. This paper compares and analyses the modality used in a corpus consisting of their political speeches until Brexit day. Modal verbs are used to express ability, possibility, willingness, certainty, obligation and necessity. Politicians’ choice of certain words can be a useful tool to affect voters’ decisions and modality is a resource which reinforces that influence. The findings show remarkable similarities between both politicians and reveal that possibility is the most frequent meaning of the modal verbs used in the corpus.
Muqarram Khorakiwala
Es Review. Spanish Journal of English Studies pp 261-281;

Cultural identity in contemporary diasporic communities is dynamic, multifaceted, and cyclical. In the age of reflexive modernity, it is imperative to think about new ways of conceptualizing the experience of individuals straddling multiple geographies. A model of identity for such individuals should not only explain the plurality of “being” but also the fluidity of “becoming.” In this article, the question of multiple and shifting identities of the four main characters in Jhumpa Lahiri’s intergenerational novel, The Namesake, is explored using an interdisciplinary model from the field of business management based on Giddens’ theorization of reflexivity. The inward reflexive relationship between the “self” and the “other” through the discursive articulation of the ontological journey of the novel’s characters highlights the complex nature of diasporic identity construction.
Juan José Cogolludo Díaz
Es Review. Spanish Journal of English Studies pp 239-260;

Dante’s Divine Comedy had an enormous influence on Seamus Heaney’s oeuvre, especially from Field Work (1979) onwards. Heaney exploits the great Dantean epic poem to create a framework that allows him to contextualise some of the most painful political and social episodes in Irish history, namely the Great Hunger and the secular clashes between Protestants and Catholics. Heaney pays special attention to the problems originating from the outburst of the atavistic and sectarian violence—euphemistically known as “the Troubles”—between the unionist and nationalist communities in Northern Ireland as from 1969, causing great suffering and wreaking havoc on the Northern Irish population for decades.
Nieves De Mingo Izquierdo
Es Review. Spanish Journal of English Studies pp 217-237;

What happens when a woman, housewife and mother, decides to take to her room and stay in bed for a whole year? This scarcely plausible proposition opens the last published work by the late British author Sue Townsend. This paper aims to explain the main coordinates of the narrative by using Foucault’s concept of heterotopia; an effective, theoretical tool when applied to the analysis of a contained, physical space which is eventually turned into a site of contestation by means of the protagonist’s self-imposed confinement. This implies further questioning on the degree of agency she displays within her environment and, in addition, raises doubts about whether the novel responds to a feminist stance on the part of the author or to a literary depiction of her unavoidable withdrawal from the outside world due to her personal circumstances.
María Isabel Romero Ruiz
Es Review. Spanish Journal of English Studies pp 155-177;

Katy Darby’s neo-Victorian novel The Whores’ Asylum (2012) is set in Oxford in the 1880s. The Gothic plays an important role in the process of re-writing the Victorian period as a mirror of our contemporary societies where depravity and lack of humanity co-exist with modernity and civilisation. The protagonists—Stephen, Edward and Diana—are involved in the process of showing sympathy for the lives and deaths of the destitute and the dispossessed. Under the stance of Judith Butler’s theories of mourning and violence, my analysis has a two-fold aim: to discuss issues of the Victorian past such as venereal disease, prostitution and gender violence in the text, and to question to what extent the novel can be an attempt to hear the voices of the victims of sexual exploitation, giving them restoration and agency. However, my conclusion is that the text does not grant the victims of sexual exploitation real voice or agency.
Carmen García Navarro
Es Review. Spanish Journal of English Studies pp 179-197;

This paper explores Anne Carson’s “Kinds of Water: An Essay on the Road to Compostela,” the author’s journal on her pilgrimage to Santiago. Taking water as a metaphor for the Camino, the text reflects the creative dimension of the pilgrimage both from an artistic and personal standpoint. Alternative discourses of the female writer and pilgrim occur in a text that is an essay and a meditation on the forms of resilience put into practice by Carson after facing a series of personal losses. The progressive construction of self-knowledge is seen as an emancipatory act that transcended Carson’s mourning period in her experience, which she took as an opportunity to embrace personal transformation. I suggest that my approach can bring useful perspectives not only to further and refine knowledge on Carson in Spain but also for the consideration of resilience as an aspect that contributes to the critical understanding of narratives of individual and social transformation.
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