This essay will examine a place and community in the city of Haifa, Israel, that no longer exists - a resilient community that survived destruction for decades, until it gave in to the attempts of destruction and evacuation by the municipality of Haifa. The essay will review the history of the urban planning of the place as appears in surveys, maps and planning schemes, in parallel, the essay will explore the history of the place as narrated through a series of essay-form documentary films. The paper will explore the potential for a variegated, full and rich history of the resilient Wadi Rushmia and its inhabitants. It will describe the formal history of Wadi Rushmia as it appears in historical documents and planning materials such as maps and plans, and then examine its history through documentary films that use self-narrated stories of inhabitants and poetic point of view of the film maker, to challenge conventional top down planning practices. It will be argued that the destruction of the community and nature of the Wadi and its replacement by a network of roads, has turned it from what Augé (1995) refers to as a 'place', in which people have lived their everyday life, accumulating memories, time spent together, and collective history, into a 'non-place' a space of transience, in which the time of living and social communication is replaced by an accelerated temporality. The paper will then refer to film, to demonstrate the immense generative potentials presented by the filmmaking medium to research of the built environment and that using particular filming methodologies may contribute to the accumulation of multi-media knowledge of place. Film, it will be argued, works against these processes of destruction of the place, as it captures the spatial and temporal experience of the daily lives of the Wadi's community, in its final years. It will be argued that films form an alternative archive of the everyday lives of ordinary people, an archive which will not only guard the past, but also project into the future, to the imagination of a more ethical and sustainable urban reality.

Encounters with interior spaces are influenced by past experiences and state of mind. Much of how architecture is experienced therefore is not readily apparent and is sensed rather than seen. Psyche impacts this experience of lived space, from an individual’s awareness of themselves within it, to the perception of space itself. Film offers a distinctive representation of this subjective experience through its narrative form and command of visual, audio and temporal language. The emotive and visceral power of film render it an accessible and immersive medium, and as such make it uniquely placed to communicate less tangible qualities of space and character. This paper analyses the use of interior space in the film Joker (Todd Phillips, 2019). The acutely intimate discernment of the protagonist’s interior environment is the result of environmental and psychological disruption, where boundaries break down between the real and imaginary, and the surreal intrudes upon the tangible depiction of the interior. The exposition of the character’s damaged psyche within space is analysed at key points within the narrative, using collage as an exploratory, visual methodology to analyse and experiment with, to potentially reveal the less perceivable, yet invasive intangible layers of lived space. This article addresses the frequent oversight of psychological qualities of the interior in architectural discourse, through an analytical and experimental method rendering the psychological content of space visible. Defining this intangible nature of architecture as the psychosphere (or the psychological atmosphere), I term this technique the ‘psychospheric collage method’. The process consists of interrogating expressive film language and content through an architectural lens documented through sketching, storyboarding and textual enquiry. From these fragmented components I compose a new visual language capable of signifying the layered psychological atmosphere in which a character resides, thus facilitating its consideration within architectural design and enabling articulation of our intimate encounter with the interior.

Space settlement as a science fiction theme has been very popular in the last 70 years in cinema and television. Gaining its roots from scientific and technological developments, the topic evolved throughout decades to become much more comprehensive nowadays. The evolution that started with physical models to depict the space station as a pure geometric form continues today with much more complex structures that express the infrastructure, features, and appearance of a space settlement. Through developments in space technologies, together with the progress in computer generated imaging methods, contemporary movies represent space stations and settlements in a much detailed way. Therefore, the architecture of the space settlement in cinema and TV becomes a remarkable theme. Consequently, the role of architects in the design of space settlements in cinema and TV increases. This paper presents an analysis of the architectural evolution of space stations and settlements in cinema and TV through examples with a chronological order from 1950s to 2000s. The analysis is based on the relationship of scientific requirements of a space settlement and existing scientific studies on the design of space settlements with their reflections on the cinema and television industries. The outcomes of the analysis put forth that the detail level, functionality, and architectural style of space settlements in movies evolved through time. Therefore, architects’ role in movies and the design of space settlements shall increase thanks to the developments in representation, production, and construction technologies

In this article Andrei Tarkovsky’s films are studied through the lens of existential philosophical traditions. At the heart of Tarkovsky’s narratives lies a yearning for authenticity, a need for freedom and an intention to communicate with otherness in its various manifestations. Whereas spirituality is clearly an important factor in Tarkovsky’s aesthetic explorations, we focus on materiality and corporeality: a violent sensuality, associated to what Albert Camus perceives as a revolt of the flesh, plays a crucial part in Tarkovsky’s seven films. A desire to escape oppressive aspects of everyday reality in order to approach an ideal location (mostly related to memories of childhood) gives rise to the urgent need for transcendence described in Tarkovsky’s body of work. The two key terms, the notions of transcendence and space, are closely related to one another. The importance of poetry, not as a literary term, but as a way to interpret and challenge everyday reality, will be a key factor in the reading of this process.

Starting from Gilles Deleuze's (1989, p.59) concepts of "worldization" or/and "world-image" we should consider the intersection of cinema, architecture and storytelling as an act of thinking about "world-building". Because only such action takes us through creative and political stories that will enable us to understand why the cities of the future are migrant camps. Flashdrive doesn't just give us a refugee camp story; also maps the spatio-temporal distinctions of the survival journey. It presents a migration story shaped by media dispositifs and spatial dispositifs in which power and knowledge are articulated.

Modern architecture, a reaction to the industrialization of the 19th-century, is characterized by a lack of applied decoration, exposed structural members, materials kept in their natural state and “flat” roofs. It developed in Europe in the 1920s and 1930s, particularly in Germany, the Netherlands and France, and spread to the rest of the world after World War II. Depending on your point of view, Modern architecture can either be exciting and exhilarating or inhuman and oppressive. This article surveys these two opposite representations of Modern architecture in the cinema, beginning from its first appearance in the 1920s until today. Films directed by Marcel L’Herbier (The Inhuman Woman, 1924), Alfred Hitchcock (North by Northwest, 1959), Jacques Tati (Mon Oncle, 1958, and Playtime, 1967), Jean-Luc Godard (Contempt, 1963, Alphaville, 1965, and Two or Three Things I Know About Her, 1967), as well as several from the James Bond series (Dr. No [Terence Young, 1962], Goldfinger [Guy Hamilton, 1964], and Diamonds are Forever [Guy Hamilton, 1971]) are highlighted. Culminating in a survey of like-minded films since the 1980s, the article concludes that Modern architecture in the cinema is here to stay and will continue to play an integral role in the making of films.

This paper explores the idea of film as a medium that has been used to celebrate, develop and ultimately sustain cultural traditions in an age of globalization and technological and cultural change. It borrows ideas from the sector of heritage, namely intangible cultural heritage, and uses this to offer a framework for understanding the work of two key mid 20th century film directors, Jean Renoir and Yasujiro Ozu. Through a detailed analysis of the cinematography employed by both directors, their use of architectural space and the cultural traditions that they drew heavily upon, it explores examples how both directors used film as a medium for the reutilization of their particular cultural artistic traditions in a contemporary setting.

The French Philosopher Michel Foucault argues that power extends to all areas at the micro level in Bentham's Panopticon theory, which was inspired by the architectural design of the Panopticon. He extends this metaphor to speak of Panoptisism as a social phenomenon used to discipline workforces through implicit strategies. Like Bentham, he does not limit his panoptic rhetoric to a mere prison setting, but instead applies it to schools, mental hospitals, hospitals and factories. The panopticon basically ensures the ubiquity of power by seeing it unseen. This article aims to reveal how panoptiism, a particular mode of disciplinary power used by Foucault, is normalized in superhero films. When surveillance and gaze practices are approached from the point of view of cinema; the question of how the gaze is positioned through the camera, where and through whose eyes the audience is looking, arises. The narrator of The Batman (2022) is Batman, and the narrative begins with the superhero reading his diary. In the film, it is determined that Gotham city has been transformed into a panoptic universe and Batman, who watches over this universe, is in the position of a guard.

Developments in computer and communication technologies, which constitute the starting point of concepts such as decentralization, virtuality, simulation, augmented reality and metaverse, have also brought new forms of expression and designs in art to the agenda. In addition to the decentralized data architecture and metaverse areas that emerged in parallel with the development of network technologies, applications that increase the user's interaction and beleaguered experience such as virtual reality, augmented reality and mixed reality have increased their effectiveness in this field. The metaverse spaces that emerge with the cooperation of software, art and architecture offer their users a more similar life simulation of natural life through augmented reality vehicles or screens. Here, users can perform new experiences for artistic production and consumption as well as daily life practices such as socialization and communication. Metaverse spaces, which include the design of a three-dimensional virtual universe that can be supported by augmented reality, are free from all the constraints of the real world as a cinematic plateau. It is seen as a great advantage that the real film set can create a cinematic work without expensive equipment such as cameras, lights, and sound away from all the negativities of the natural shooting conditions. The fact that the production, distribution and screening of cinema works can be realized within this field brings a new understanding of decentralized cinema to the agenda. Decentralized cinema, which has begun to rise in the expanding virtual geography of the metaverse virtual space with its advantages such as virtual characters and scenes and creative space fictions, is an art form worth examining. This study focuses on the possible future transformations of cinema in terms of production and representation in the context of the relationship of virtual and augmented reality technologies with developing metaverse areas. The emergence of a new cinematic ecology; The opportunities and obstacles it provides to producers are examined with the philosophical criticism method through concepts such as virtual and augmented reality, web 3.0, metaverse in terms of audience experiences it offers for screening. As a result of the study, it was concluded that the metaverse area has many advantages in terms of the production of cinema works, democratization of the production and distribution of works, digital privacy and security for metaverse artists, and recognition of ownership for digital works of art.

François Penz, in his essay titled as "What I saw in Venice – biennale 2021" shared his experiences about workshop in Venice – VENICINEMA, Understanding Cities Through Film – in September 2022 at the European Cultural Academy. To get to know a city though cinema is always an enjoyable and informative task, which varies depending on whether one has a prior knowledge of the city or not. But a prior knowledge of a city through film can only provide a ‘theoretical’ insight that only gets ‘realised’ while actually being physically present in time and place. In other words, ‘watching a city film can be a three-way process: we see a film and gain a knowledge of a city; we then visit this city and experience a form of déja vu; we then watch the film again and the experience of having seen the place acts as a memory recall that gives a much stronger emotional connection to both the film and the city. Venice offers a layered richness of experience through cinema as a place to be discovered not only for foreigners but even for Italians. The aim of this workshop was to engage the participants’ interest in the various facets of the relationship between cinema and Venice, the opportunity to reflect on its characterisation in the movies. The study of Venetian narrative films not only opened the path to an innovative reflection on the complexity of the city as experience but also provide a basic understanding of screen language that equipped participants to make their own short films.

The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern Italian village in Basilicata, and their relocation to Milan. The director of the film, Luchino Visconti, continuously alludes to the protagonist’s fascination with their hometown (paese). This nostalgic and wholesome image of paese contrasts the ubiquitous alienation and exploitation in the industrial North. The film is replete with signs and metaphors which explicitly and implicitly reinforce the evident tension between the immigrant family and an industrialized metropolis. Based on an interview with Mario Licari, Visconti’s assistant who accompanied him on location visits, this article offers an opportunity to revisit significant locations of the film such as Quartiere Fabio Filzi, the Alfa Romeo Factory, Milan Duomo, Ponte Della Ghisolfa, Parco Sempione, Stazione Centrale and Circolo Arci Bellezza. Underpinned by the theories of Giorgio Agamben, Antonio Gramsci and Andre Bazin this essay creates a theoretical framework that works in parallel with a detailed analysis of the scenes, original archival material, dialogues, places, and history of architecture of the locations. The article demonstrates how urban and architectural spaces not only accommodated the narrative of the film but shaped, twisted and structured the story of the masterpiece. The paper shows how Visconti succeeded in visualizing a ‘hidden’ Milan that was never appeared on the silver screen before Rocco and His Brothers.

The Light and its Disappearance in the Darkness; The chapter begins with the question of what can be found in the integration of architecture and cinema and continues exploring light in the context of cinematic architecture theory. This is followed by a discussion of the illusions of light that emerge in spaces where cinema and architecture meet. The thought then reaches Paul Virilio's conception of the aesthetics of architecture as a metaphor for cinema from the experience of space, the image of disappearance. It suggested I make a film work, 'Hiroshima Through Light', in the AA. The Experimentation in the AA Diploma Unit 3; This chapter describes the exploration of cinematic architecture under the tutelage of Pascal Schöning, a unit master of the AA, which includes philosophy, aesthetics, and challenges to urban and social issues, along with his unique methodology. He explains to his former students the importance of a more philosophical approach to the notion at the end of Diploma Unit 3. That is when I see Juhani Pallasmaa's description of the need for architects to look at people's daily lives and society through a phenomenological approach, like filmmakers. My awareness moves on to a study of the architects depicted by filmmakers. Image of Architects Depicted in Film; The images of architects in the films of Michelangelo Antonioni, Terrence Malick and Hirokazu Kore-eda are discussed. It indicates that they are entrusted with a role of building human relationships. Cinématic Architecture Tokyo; This chapter outlines activities in Japan that are being rolled out in the form of workshops, lectures and exhibitions to develop the theory of cinematic architecture. The theme of the workshops held in the Hokuriku region was the revitalisation of declining local urban communities, which is also related to the previous chapter on “building human relationships”. This year, the projection attempted to embody poetic images to illuminate memories that are being lost. Conclusion; In addition to reflecting on essential elements such as the aesthetics of disappearing light, memory, history, poetic imagery, narrative and social issues, adding a focus on the significance of communication design, fields of sense and spatial quality, could bring new perspectives to the integration of architecture.

In light of the studies related to the theory of interpretation of cultural heritage sites, the holistic interpretation approach of heritage areas has developed, and a new interpretation culture has emerged. It includes new approaches, local and regional interpretation strategies, new policies and comprehensive analysis and evaluations. The new interpretation culture is important not only to produce interpretation themes, but also to the transfer and sustainability of the values of heritage sites that need to be preserved to the society. In this context, studies are being brought up in order to find the most appropriate ways to understand and transfer living urban heritage sites; tangible and intangible values, existing or non-existent urban structures, ongoing or non-existent social and cultural practices, used or ongoing structures and all cultural and historical layers of areas. Beyond the current interpretation studies carried out for the heritage sites, it is important to develop interpretation strategies including the historical importance of the areas for living urban heritage sites and therefore complex cultural heritage areas, the connections to the places, cultural and social relations networks, urban memory, and the spirit of the place. For this purpose, the study focuses primarily on the critical viewpoint of theoretical content of the interpretation of cultural heritage sites. In the light of theoretical and practical knowledge, the research then concentrates on key themes and discussions on heritage interpretation in the UK. Accordingly, the research discusses the interpretation strategies in the Jewellery Quarter, Birmingham which is the one of the most influential areas by means of historical urban-industrial heritage site.

While rising urban populations, as a result of industrialization, narrowed the buildable areas in cities, at the same time the World Wars I and II increased the demand for housing. In addition, the change of social dynamics and production models and the development of technology have also been influential in the search for flexibility. Flexibility, which can be considered in many ways, is examined in this article with the space organization, equipment/outfit and time in kitchen design. At this point, the research aims to measure user-specific expectations about flexibility in kitchens design. A survey was proposed in the study, considering that the determination of spatial habits in the kitchen is determinative in terms of which parameters should be taken into account in flexibility. The aforementioned survey was applied to people between the ages of 25 and 40 who live in apartments in Istanbul and work overtime. The survey has revealed that spatial habits in the kitchen vary with the square-meter of houses and their organization scheme according to it. For example, in 1+1 and studio apartments, the connection of the kitchen with daily life is stronger, however there are difficulties in use in terms of equipment and spatial organization. On the other hand, in relatively larger residences, it was seen that not preferring to spend time in the kitchen is due to the fact that the psycho-social requirements of the functional and flexibility of the kitchens were ignored during the building production process. In the study, it is argued that while it is possible to develop more creative and multifunctional kitchen solutions in changing square-meters, it is due to the imitation of the same plan templates of build-and-sell managerships in the apartment building process in big cities.

Daylight is an integral part of our lives as the most important element in places. Efficient and appropriate use of daylight reduces the need for adequate illumination of the volumes and artificial lighting. Today, windows that are not designed correctly cause energy waste by increasing the use of artificial lighting instead of natural lighting. The seriousness of this situation is increasing today and regulations and standards regarding daylight use are published. The disappearance of this traditional Turkish architecture has also reduced the effective use of natural light. Study is focused on daylight penetration in traditional Turkish houses in the context of EN-17037 and a traditional Turkish house evaluated as case study. Natural lighting measurements of the selected building were calculated using the daylight simulation program, at 09:00, 12:00 and 15:00 for the months of March 21, June 21, September 21, and December 21 under average sky conditions. In line with the results obtained from the simulation program, the illumination levels (Lux), daylight factor (DF) and daylight performance classification (%) of the spaces are presented. As a result of the evaluation made in the context of EN 17037 standard, attention was drawn to the importance of openings as windows in traditional Turkish houses. And additionaly, architectural similarities and differences with the contemporary building is highlighted in results.

The functions, values, and meanings of cities, which have been in constant change and transformation throughout history, are changing in response to rapidly changing conditions, particularly in recent times. The areas where this change can be observed most concretely are generally urban spaces. Some places in the city, which cannot keep up with this speed, may lose their structural or functional use over time and remain idle when they are not fed or equipped with suitable activities that will integrate with the environmental character and bring vitality. Therefore, within the very valuable urban land, they may become lost spaces for the city. It seems very important to regain such spaces in the rhythm of daily urban life, considering that they have strong economic, social, and physical potential, as well as being lost. From this point of view, the aim of the study is to identify the lost spaces in the historical city center of Konya, which was chosen as the sample area, and to identify the urban space(s) that should be intervened in with priority among the identified lost spaces. The Trancik method was used to find the lost spaces in the area using detailed analysis. With the help of figure-ground, linkage, and place theories in Roger Trancik's book titled "Finding Lost Space: Theories of Urban Design" (1986), both morphological analyses (figure-ground and linkage analyses) and questionnaires and cognitive maps were used to understand "place" and measure its perceptibility. The research to understand the "place" was carried out with a total of 50 people using the random sampling technique. Then, within the scope of the study, all the findings obtained from figure-ground, linkage, and place analyses were synthesized, and all lost spaces within the sample area were determined. Among these identified lost spaces, Kılıçarslan Square and its environs were determined to be the most undetected, unused, disliked, and first intervention requested by the participants. This result underlines the necessity of saving an important public space in the heart of the city from its current transition space and using it more effectively through scientific evidence. This result underlines the necessity of saving an important public space in the heart of the city from its current transition space and using it more effectively through scientific evidence. With its effective use, the area will be reintroduced to the city.

Rural areas have generous variety that combines local geographical features, buildings planned according to climatic conditions and the tradition of using local building materials, social relations and habits of the local people in their daily life. The purpose of this study is to determine the rural architectural heritage that is about to disappear; evaluate conservation proposals and developing policies to increase the interest in rural. In this study, the rural architectural heritage and conservation problems of Gölpazarı and its villages were evaluated as a representative area which has been an important settlement from prehistoric times until today in Central Anatolia. The architectural features have been examined with the settlement characteristics, analyzes, building typologies, construction techniques and materials. Rural areas have conservation problems such as immigration, socio-economic changes, and improper architectural interventions at the settlement and building scale. These problems have been analyzed through Gölpazarı, which is in danger of losing its original identity with structurally as well as socially. Based on the findings, conservation proposals for the building and settlement scale were interpreted. The cultural, social, economic and tourism potential of the settlement were evaluated to ensure the protection and sustainability. There has not been noteworthy research in this context in Gölpazarı and its surroundings. This study has potentials to be an example for developing rural heritage management in Anatolia.

This study exemplifies the practical application of the Discrete Event Simulation (DES) approach for evaluating the effectiveness of suggested processes and design modifications in improving the existing bottlenecks of an Emergency Department. EDs are under escalating pressure to deliver efficient care while handling considerable challenges, such as overcrowding, delays, length of stay, safety risks, or staffing. Many ED appointments are non-urgent and can be treated in an alternative outpatient setting. Suitable demand-capacity matching and adjusted admission protocols reduce ED patients' Length of Stay (LOS) and improve boarding times. Alternatively, new design suggestions include applying results-pending areas where lower acuity patients wait for their pending lab or imaging results. In this study, DES assesses underlying conditions and existing bottlenecks in an existing ED. The current ED flow involved a "pull-until-full" for exam room boarding and bedside registration after triage fulfillment. Nonetheless, the ED experienced boarding delays for patients waiting to be admitted into the hospital. This study explored two scenarios in DES as potential alternatives for reducing LOS: the implication of a "rapid-admit" protocol and a "results-pending" area. Findings showed that the Rapid-Admit process reduced the admitted patient's LOS by 16%. On average, the results-pending implication reduced the admit LOS by an average of 32% across all ESI levels. These findings suggest the importance of process, staffing, and spatial modifications to achieve ED operational improvements. DES enabled a data-driven approach to evaluate bottlenecks, enhance architect-owner communication, and optimize the system for future design and process improvement alternatives.

Studio studies can easily be defined as the cornerstone of the discipline in departments giving architectural education. Although the educational process differs in educational institutions and among the educators, its main purpose is always to give the best experience on design process to the students and to bring together different space designs and functions with certain criteria. Although it is often stated to the contrary, it is generally difficult to get the necessary support from the social sciences in studio work. For students, considering the design with sociological data and creating a concept can be perceived as a waste of time, since the user experience cannot be observed in a project that will not be implemented in the real life and it will often create differences that cannot be measured. Dealing with form, color, and material instead can help impress teachers and other students in the studio much more easily. Students often act pragmatically and choose the method that promises them a higher score in a shorter way, as creating a charming product in studio will seem more powerful while a deep research on the sociologic and ecologic background cannot reflect themselves easily on a render. Although very different user profiles were determined for the same area at the beginning of the design process, it may cause that the resulting products cannot create enough characteristic differences in the end. The aim of this research is to examine whether the projects differ in terms of functionality regarding their different user profiles determined by the students, based on the studio work of Karadeniz Technical University, Department of Landscape Architecture within the scope of Environmental Design and Project II course. As a result of the examination, it has been determined that although the designer and customer profile are different, the morphological differences in designs are not perceived very easily, which means the methodology in the studios should be examined again.

Threshold values for climate elements have been determined and some indices have been developed, especially with studies on human comfort. It is a fact that the feeling of comfort is subjective and there are different psychological and physical factors affecting this feeling. However, the presentation of threshold values and indices is very interesting in determining the current state of the climate conditions of the environment in terms of average and optimal values and the extent of deviation from the most appropriate values. The values of the climate elements that need to be looked at in order to provide bioclimatic comfort; it as a combination of 21-27.5 °C temperature, 30-65% relative humidity and wind speed up to 5 m/s in open area. These values have been used in many bioclimatic assessments. In addition to being an effective factor in almost every aspect of people's lives, bio comfort is also important in the periods when tourism activities are carried out. Thus, it is extremely important to determine the regions that are not suitable for bio comfort in the season of tourism in the regions that tourism activities are carried out. The aim of this research is to determine the suitable and unsuitable areas in terms of bio comfort in summer by using New Summer Index throughout Ordu province via GIS. As a conclusion, it has been determined that the area covering approximately 57.62% of the southern part of the province is cold, and the most comfortable part of the province is the part covering approximately 11.12% of the province and located by the sea in the north of the province.

With their various physical differences, pets have to live with their owners in interiors, which is designed according to human scale. On the other hand, human-specific anthropometric measurements, which are the basic parameters in space design, are not sufficient to provide ergonomics in indoor spaces, which are also living spaces for pets. The hypothesis of this study, in which current examples of interior and furniture designs suitable for the physical needs of pets, whose numbers are increasing day by day, are discussed with an inclusive approach in interior architecture; It has been determined as 'when the interiors where pets live are redesigned according to the characteristics of the animals, ergonomics is provided for 'all living things' in the common living areas. The subject of common living space in the literature; Although it has been investigated in interdisciplinary fields such as cognitive psychology, zoology, and architecture on topics such as biodiversity, sustainability, animal welfare, and animal behavior, the subject of 'space organization of shared living spaces shared with domestic animals' as a new approach in the field of interior architecture has not been sufficiently discussed. For this reason, the research is a pioneering and descriptive study in terms of drawing attention to current practices in terms of conceptual infrastructure, architectural design, space organization, application examples and experimental models, making a systematic review of existing studies on the subject, and identifying new trends in the field of interior architecture. The aim of the research is to expand the interior design, which is a multidimensional subject, to include spaces designed for living with pets, in particular the arrangement of common living spaces. Since subjects such as interior design, interior architecture, and design have a wide field of research, the scope of the study is limited to the specific space and furniture designs designed for pets in terms of ease of research. In the descriptive study, the survey model, one of the quantitative research methods, was preferred as a research method to review the existing status of the researches in the field of design within the existing sample applications. As a result of the study, it has been understood that the 'interior and furniture design for pets' approach is a design approach that is open to development, is an inclusive application in the interior and has a high potential to be preferred.

During the last two decades, Istanbul experienced rapid growth due to national and international migration. In addition, multi-center development of the city, construction of peripheral highways, bridges and metro systems have affected the economic, cultural and physical structure of the city. The purpose of this paper is to illustrate the changes of the housing types and prices from the center to the periphery. While some of the fashionable neighborhoods lost their importance through time, some new neighborhoods became fashionable due to their modern buildings in the green areas. The great impact of Bosphourus and Marmara Sea shores amenities on the type and price of housing was emphasized. Economic development, globalization, restructuring and strategic locations have contributed to improve the quality of housing and to increase their prices. Due to increasing income gap, there is a widening difference between the types of low-income and upper-income housing.

Today, supertall buildings can be constructed in unusual forms as a pragmatic reflection of advances in construction techniques and engineering technologies, together with advanced computational design tools for architectural design. As with many other buildings, architectural and practical principles play a crucial role in the form of a supertall building, where aerodynamic behavior shaped by wind-induced excitations also becomes a critical design input. Various methods are used to meet the functional needs of these towers and reduce excitations, including aerodynamic modification methods directly related to the building form. Tapered forms are one of the most frequently used and most effective methods in today's skyscrapers, which significantly affect architectural design. To date, no study has been conducted in the literature that provides an understanding of the interrelationships between tapered building forms and main planning criteria, considering the aerodynamic design concerns of the tapering effect in supertall buildings (≥300 m). This important issue is explored in this article with data gathered from 41 supertall case studies, considering location, function, structural system, and structural material as well as the aerodynamic taper effect. The main findings of the study highlighted the following: (1) Asia was where tapered towers were most favored, with a wider margin in all regions; (2) mixed-use was the most preferred function in selected supertall buildings with tapered form; (3) outriggered frame systems were mainly used; (4) tapered supertall cases were mostly built in composite; (5) the sample group included 17 cases that used the tapering effect with aerodynamic design concerns, some of which were accompanied by corner modifications. It is believed that this study will be a basic guide for design and construction professionals including architectural and structural designers, and contractors.

Regions with high tourism density are very sensitive to human activities. Ensuring sustainability by preserving the cultural characteristics and natural structure of these regions is of critical importance in order to transfer these assets to the future world heritage. Detecting and mapping changes in land use and land cover (LULC) using innovative methods within short time intervals are of great importance for both monitoring the regional change and making administrative planning by taking necessary measures in a timely manner. In this context, this study focuses on the creation of a 4-class LULC map of Muğla province over the Google Earth Engine (GEE) platform by utilizing three different machine learning algorithms, namely, Support Vector Machines (SVM), Random Forest (RF), and Classification and Regression Tree (CART), and on comparison of their accuracy assessments. For improved classification accuracy, as well with the Sentinel-2 and Landsat-8 satellite images, the Normalized Difference Vegetation Index (NDVI) and Normalized Difference Water Index (NDWI) are also derived and used in classification of the major land use classes, which are ‘built-up area & barren land’, ‘dense vegetation’, ‘water surface’, and ‘shrub, grassland & sparse vegetation’. Experimental results show that the most relevant algorithm is RF with 0.97 overall accuracy and 0.96 Kappa value, followed by SVM and CART algorithms, respectively. These results indicate that the RF classifier outperforms both SVM and CART classifiers in terms of accuracy. Moreover, based on the results of the RF classifier, 19% (2,429 km²) of the study region is classified as built-up area & barren land, 48% (6,135 km²) as dense vegetation, 2% (301 km²) as water surface and 30% (3,832 km²) as shrub, grassland & sparse vegetation class.

Cities are in a continuous process with the change and re-adaptation of different parts. Cities are deliberately planned under different socio-economic, natural, religious, and political conditions in different historical periods. While cities are growing, new urban projects are planned that will affect urban morphology. Thus, the research problem is that new urban design projects require planning and integrated policy in interaction with the city. One of the aspects of ensuring this is examining the city from the historical point of view and comprehending urban morphology analysis. Within this framework, the Galata Region is chosen as the study area. The study area is selected carefully based on the six criteria. Firstly, the selected area is rich in historical and cultural background. Secondly, the existence of documentation in the urban area is an important criterion. Thirdly, the selected study area includes a varied degree of urbanity. Fourth, the selected area has a rich urban pattern that includes each period of urbanization. Fifth, the area is affected by numerous planning and design decisions throughout historical development. Lastly, the planning of the Galataport Project in the study area is also a situation where the characteristics and impact of the district should be questioned. Therefore, the study aims to first determine the change and development of the Galata Region over time with the Conzenian approach. In this section, historical maps of the area will be examined through the spatial development of the city, and the determination of the areas affected by the planning decisions will be revealed. Morphological region analysis will be done to identify the focus area boundary. Secondly, the aim is to reveal the impact of the Galataport Project on the region and on the use of the coastline by space syntax method. In this part, the effect of the Galataport Project will be explained comparatively by axiality, convexity, integration and intelligibility, and synergy concept through the 1980 and 2020 maps. As a result, it is seen that the study area has its spatial characteristics, cultural values, and historical process. In the general analysis of the area, it is seen that the old city center is seen as a high potential area for transformation due to its central location. The old city center plays a central role in the marketing of the city because of its economic potential. New design projects are done in the study area because of the transformation potential. It is observed that the Galataport project together with the morphological structure led to functional changes in the field and caused differences in the characteristics of the use of space. It has affected the area and old trading functions began to transform the leisure and tourism sector. Lastly, recommendations are given according to the results.

Due to the adaptability, durability, and affordability of synthetic polymers, their usage has been increasing in the global industry. These petroleum-based polymers remain intact in nature for many years after they expire and cannot be included in the natural recycling network in any way. Producing polymers using fossil resources increasingly day by day threatens existing resources and affects the circular economy negatively. Considering the various negative effects of polymers on the environment, biopolymers could be seen as a strong alternative; which is a polymer group formed by living organisms such as plants, animals, and microorganisms. Ecological, low-emission, and recyclable biopolymers open up new and a broad range of topics in the field. Composite materials created with these biopolymer materials that act as natural adhesives; have different developing areas of applications such as packaging industry, textile, furniture, and industrial design sectors, architectural designs, and structural insulation materials. Fungal mycelium, a biopolymer, consists of fibrous filaments called hyphae, which can be defined as elongated cells, mainly composed of chitin, glucan, and proteins. The ability of fungal mycelium to digest and grow through organic matter makes it possible to produce biocomposites from mycelium. Mycelium-based composites are mixed with fungal mycelium, forming an interpenetrating three-dimensional filamentous network that binds the raw material to the material, and after completing the growth period, the mycelium growth is stopped by heat, thus offering an alternating fabrication paradigm based on the growth of materials. In this study, firstly, it was tried to find the most efficient ratio among different mixing ratios by using the mycelium of the genus Pleurotus Ostreatus and the same raw materials. Afterward, it was aimed to investigate the mechanical and physical properties through experimental studies, especially the production process, of mycelium-based composites formed by mixing different raw materials in determining proportions.

Despite a great deal of effort has been made to present systematic models of design process, in practice, a lot of designs still proceed through unsystematic methods. It seems that the reason for this is too much emphasizing on describing the final design (product) and little attention to the design process; such that, there is no clear method so as to research-based design. This led to illustrate a distinct pattern from configuration of "design protocol" in terms of research-based design process. The aim of this study is to develop a model that can be used in the architecture educational system. So at first step, the readers of this research are architecture students, and designers can also benefit from it in the next steps. So that all the readers of this research using this model, in a logical process, can recognize the right information for design and ultimately achieve an optimal architectural design. In this research, our preferred context is architecture, and the focus is on research-oriented design; therefore, any given example would be in the field of architecture. In this paper, the proposed process is the result of experience gained from five years teaching architectural design (2) in master's degree that includes three milestones as follows: 1) Statement of problem 2) The scheme and 3) Design protocol. "Statement of design problem" is obtained from people's concerns about "design subject" integrated in its "bed". The scheme, itself, constitutes the expectations, goals and mission representing two sets of information (cognitive and distinction) about design that finally leads to establish a "spatial-body program" of the project. As proceeding from the onset of diagram into the end, we passed from "analyze" into "synthesize" phase. In fact, in «analyze» phase, designer decides to collect and analyze information; however, as the process goes forward, he/she combines the information from the previous phase in order to achieve novel findings. Finally, we hope that by taking advantage of the proposed process, designers can find the best way to accomplish their design projects within a defined framework.

Despite a great deal of effort has been made to present systematic models of design process, in practice, a lot of designs still proceed through unsystematic methods. It seems that the reason for this is too much emphasizing on describing the final design (product) and little attention to the design process; such that, there is no clear method so as to research-based design. This led to illustrate a distinct pattern from configuration of "design protocol" in terms of research-based design process. The aim of this study is to develop a model that can be used in the architecture educational system. So at first step, the readers of this research are architecture students, and designers can also benefit from it in the next steps. So that all the readers of this research using this model, in a logical process, can recognize the right information for design and ultimately achieve an optimal architectural design. In this research, our preferred context is architecture, and the focus is on research-oriented design; therefore, any given example would be in the field of architecture. In this paper, the proposed process is the result of experience gained from five years teaching architectural design (2) in master's degree that includes three milestones as follows: 1) Statement of problem 2) The scheme and 3) Design protocol. "Statement of design problem" is obtained from people's concerns about "design subject" integrated in its "bed". The scheme, itself, constitutes the expectations, goals and mission representing two sets of information (cognitive and distinction) about design that finally leads to establish a "spatial-body program" of the project. As proceeding from the onset of diagram into the end, we passed from "analyze" into "synthesize" phase. In fact, in «analyze» phase, designer decides to collect and analyze information; however, as the process goes forward, he/she combines the information from the previous phase in order to achieve novel findings. Finally, we hope that by taking advantage of the proposed process, designers can find the best way to accomplish their design projects within a defined framework.

The application of geospatial information technologies has increased recently due to increase in data sources from the earth sciences. The systematic data collection, storage and processing together with data transformation require geospatial information technologies. Rapidly developing computer technology has become an effective tool in design and physical planning in international platforms. Especially, the availability of geospatial information technologies (remote sensing, GIS, spatial models and GPS) for diverse disciplines and the capability of these technologies in data conversion from two dimensions to the three dimensions provide great efficiency. Thus, this study explores how digital technologies are reshaping physical planning and design. While the potential of digital technologies is well documented within physical planning and visualization, its application within practice is far less understood. This paper highlights the role of the geospatial information technologies in encouraging a new planning and design logic that moves from the privileging of the visual to a focus on processes of formation, bridging the interface of the earth science and physical planning.

From the 1980s onwards, restructuring of economy and globalization has increased the size and number of companies in Istanbul and demand for modern office space which cannot be provided in the old CBD due to construction restrictions. Thus, multi-center development has started in the city in order to answer to the growing demand for modern office markets. The present study investigated the growth and decline of office rents in office markets which have highest demand and office rents. According to the results of the study, while office rents in the office markets with growth potential have increased, that of the markets with supply increased dramatically between 2011 and 2016. On the other hand, while office rents in all of the office markets were sharply declined in 2021 due to devaluation of Turkish Lira against USD. Although the pandemic has made Work from Home (WFH) and Hybrid working models a global trend, A class office demand stayed strong due to well-being requirements on office area. Thus, it is expected to have a positive impact on the economy of the city.

Educational buildings need to be properly built and renovated because of the number of users served, the rate of usage, the potential for energy savings, and their number in public buildings. Physically, educational buildings that do not meet the essential comfort conditions cause more energy consumption, have a negative effect on academic performance of students and also cause disruptions in educational program applications. According to 2021 data, there are approximately 67,000 school buildings in Turkey. A major portion of these buildings were constructed before 2000 and are now nearing the end of their economic life. It is essential to renew the insufficient buildings make them suitable for the conditions of the age. In this context, resilient systems that continue to function in a variety of negative conditions while maintaining comfort conditions become a priority in the design of the created environment. The lighting arrangements of educational buildings that are directly connected to visual comfort, academic performance, and energy consumption are discussed in this study. Within the framework of resilient design, certain suggestions have been developed in light of the current lighting standards in effect regarding the processes to be followed before the retrofit works to be performed in the lighting arrangements of the school buildings. These suggestions were discussed in three categories as short-, medium-, and long-term periods, taking into consideration the duration of the improvement processes and without interfering with the existing activities during the school education period and it was aimed to create a guide for designers and practitioners with the improvement systematics to be made in these periods. In order to test these suggestions, a classroom from the Ministry of National Education's type school projects is used as an example. The existing situation of the natural and artificial lighting system of this classroom and short-, medium- and long-term improvement suggestions were estimated through the Dialux Evo program. According to the findings, the recommended improvements enhanced visual comfort criteria and resulted in a considerable reduction in energy consumption. With the help of the improvement calendar, it is possible to modify the lighting systems of existing school buildings and increase visual performance.

In 1992, the World Heritage Convention became the first international legal instrument recognize cultural landscapes as a human heritage that must be protected. The Cultural Landscape - Past, Present and Future considers different aspects of man's intervention with natural vegetation and the landscape resulting from a long equilibrium of co-existence. These landscapes are not stable, and the recent and ever accelerating changes in technology and life-style have increasingly affected many ancient landscapes, as old land-use practices are abandoned and traditions forgotten.(Birks et al., 1988) Human communities in desert areas formed a special landscape, providing these cultural landscapes within a special ecosystem of sustainable living conditions, which helped to create many social, economic, and cultural systems in addition to preserving biodiversity. Unfortunately, the cultural landscape in the African desert is constantly deteriorating under the influence of urban, economic, and social changes. In the southern Algerian Timimoun city of is one of the most important global desert touristic destination due to the natural cultural landscape characterizes it, but unfortunately this landscape in continuous deterioration. Agricultural landscapes of desert environment, with its remarkable knowledge culture and world of practices, must be seen as a living library where this knowledge is transferred from generation to generation. It seems certain that we will need more of the know-how stored in this living library in the near future, especially considering the effects of climate change we are experiencing today. The paper aims to identification of cultural landscapes in the oasis and analyses transformation and change in cultural landscape and traditional green infrastructure elements by relying on a historical analysis of spatial images based on quantitative analysis using ArcGIS software with the aim of identifying the real reasons of this deterioration in the urban cultural landscape in desert cites we will propose an action strategy to prevent this degradation.

According to the Index of Risk Management-INFORM 2020 Report, Turkey was included in the group of “high-risk” countries in terms of humanitarian crises and disasters with an index score of 5.0 in 2019. In statistics related to the damage caused by disasters, it is known that natural disasters cause a 3% loss in Turkey's gross national product every year, and this rate approaches 4-5% with indirect losses. Since disasters cause socioeconomic, physical, and institutional losses, attention has been given to the importance of disaster management and risk reduction studies. This paper focuses on vulnerability assessments and presents a multi-criteria decision-making and earthquake-related vulnerability assessment method by using physical and socioeconomic parameters in the Historic Peninsula. A Multi-Criteria Decision Making (MCDM) method was applied in this study because vulnerability assessments are complex and depend on many different criteria. Due to its flexible structure, the Analytical Hierarchy Process (AHP), which is one of the MCDM methods widely used in urban vulnerability assessment studies, was preferred and integrated with Geographic Information Systems. As a result of the study, it is found that approximately 49% of the district is at a moderate vulnerability level in terms of socioeconomic characteristics. For the structural characteristics, this rate is found to be at a high vulnerability level of 93%. The remaining 7% is moderately vulnerable. In this context, emphasis should be placed on identifying risky structures and strengthening and renovating them in the Historic Peninsula. The results of the method proposed in this study can be used as a basis for risk reduction studies. In addition, it can be a guide in pre-disaster risk reduction studies and can be integrated into city planning processes to keep disaster damage at minimum levels and predict the damage that may occur in settlements. The proposed method is a low-cost and short-term analysis that can be used, especially in public institutions that lack a technologically qualified workforce.

Set aside the issues concerning their excavation, documentation, and conservation, as far as their presentation to the public experience is concerned, Archaeological sites represent a special case of cultural heritage that come with distinctive set of conditions and demands, posing a problem situation deserving a special treatment. Problem is manifold: The presentation should be informative, entertaining, and educational, all accomplished through an active corporeal and mental participation where interactivity and immersion must be the key. The setting must provide a holistic, comprehensible experience by completing “missing parts and layers,” and contextualizing it, perhaps through a story, a theme, or a background. Any intervention must be non-invasive, reversible and updateable; alternatives and different layers must be presented, preferably, synchronously. Above all, final setting should be subordinate to the primacies of “conservation of cultural heritage,” while providing an intellectually and physically accessible and sustainable overall historical environment. This has been an age-old issue for the scholars, a genuine challenge due to the ill-defined nature of the problem situation itself. The present study departs from the proposition that, Augmented Reality(AR), by definition, has a potential to contribute to such a problem situation. AR is a combination of real and virtual worlds, where “virtual” could complement what was missing in the real and new objects and layers might be woven together, into one new reality where active bodily and mental participation and interaction is possible. Though it might seem implied in the definition, the proposition still needs a rigorous investigation since AR is a rapidly emerging but still quite a young field that has a long way to go; and since, research on AR’s specific adoption to presentation of archaeological sites, apart from few examples, is still an unbeaten path. The present multidisciplinary study aims to take a step towards such an investigation. Established upon a detailed investigation and analysis of examples, the present study involves development of an AR application of a selected case: “Alexandria Troas Podium Temple,” followed by a field study. In the present report, we share our experience and observations of the process and the implementation. In conclusion, we propose that AR is a serious candidate to be a considerable asset for the presentation of archaeological sites for the visitor experience, without compromising the universal norms of conservation of cultural heritage. We also argue that AR seems to have its own agenda, coming with unprecedented possibilities still to be appreciated and adopted, which in turn might help us to go beyond the conventional conceptions and modes of conservation of cultural heritage and presentation.

While environmental, economical and social challenges that the world has been facing recently are increasing dramatically; cities have played critical role in generation many of these problems like negative impacts on environment and overconsumption of resources. Most of the cities today face severe sustainability challenges including sanitation, air pollution, environmental degradation, over population and lack of livability. However, cities may also raise answers to find solutions against many of such complex urban problems, since they are assumed as creative and innovative platforms for social ecosystem of ideas. In this sense, there is increasing interest in ‘City Laboratories’ or ‘Urban Living Labs’, which are established to provide creative experimental platforms with participation of city actors to discuss urban sustainability issues before implementation of deep and structural urban changes for citizens. They provide participatory, co-creative and experimental platforms for self-organizing cities. The aim of this paper is to discuss a collaborative City Laboratory approach -Mersin City Lab- to achieve sustainability principles during urban regeneration process for the selected case-study area located in Mersin. Mersin City Lab focuses on two aspects: Firstly, ‘City Lab’ approach, involves citizens and stakeholders into decision-making process. Secondly, it focuses on urban transformation process with circularity principles including water, mobility, energy, waste management, food and circular economy to achieve sustainable neighborhood development. The paper starts with introduction of ‘city-gaming’ methodology which has been adopted as the main structure of participation of multi-stakeholders. It continues with discussions on stages of the case-study project through implementation of workshops and game sessions by participation of multi stake-holders. Following, the results gathered from overall evaluations of participants’ proposals regarding land-use, mobility and urban water management, local economy, urban development, urban agriculture and food strategies in neighborhood level are discussed. Finally, the paper concludes with impacts of City Labs approach and city-gaming methodology on decision-making process for real urban problems and urban settings.

Societies have reflected their cultures and lifestyles through the environment they have shaped. This is also true for minority groups in society. Environmental problems arise due to the use of all resources for cheap and fast production without considering the result of technological developments. Changes in nature, which form the basis of many disaster scenarios, also require urgent measures to be taken in many areas. Efforts should be made to minimize the damage to the environment. In this context, as in many other fields, the number of studies on ecology and sustainability in the field of architecture is increasing day by day. Ecological building designs are the most important reflection of this. In this direction, the development of certification systems and the promotion of ecological structures come to the fore. The research looks at the concepts of ecology and sustainability from a different perspective and traces the ecological architecture through a residential building belonging to minorities that can be qualified as a historical cultural heritage and located in the Yukarı Talas locality of Talas district of Kayseri. In order to produce sustainable designs in places where life is lived, it is considered important to consider the way in which human beings shape the environment in which they live in the historical process, also in minority architecture. Within the scope of the study, the mansion in Talas, Kayseri, which was built in the 19th century and passed from an Armenian family to a Turkish family in the process, was evaluated within the scope of today's ecological architecture criteria and it was found that a significant part of these criteria was met in this building. The mansion is discussed in terms of ecology, energy, economy, indoor environmental quality, health and welfare, innovation, management, land use, transportation, renewable technology, water, environmental pollution, CO2 emission, material and waste criteria. In the study; It has been determined that there are ecological approaches to the historical minority mansion. With reference to the findings, suggestions have been developed to produce ecological, nature-friendly and energy efficient structures for today and the future.

Today's cities are competitive in the process of globalization. Their survival depends on attracting as much capital as possible for the various productive, infrastructure, economic, political and social sectors. The more capital raised, the parts that use it also get improved in number and scale. The process of raising capital depends on the circumstances of each city. So that, in some cities, high demand leads to increase the capacity of economic infrastructure sectors, in others, they make demand by creating economic, social, infrastructure capacity and opportunities on a large scale. This is even more important for cities in developing countries as it helps them reach the development thresholds. Meanwhile, the Tehran (Iran) and Istanbul (Turkey) cities, due to their location, economic and political conditions, have always been challenged to attract capital. Therefore, in recent decades, they have started to make investment capacities by developing large-scale projects. This study aims to verify two of the most challenging large-scale projects in these two cities. To achieve the study’s goal, the projects and their types are first discussed. Also, the impact on the lands values in the neighboring area is evaluated as one of the existing effects on the host environment. The rate of impacts varies depending on the type of projects. According to the research findings, the essences of the two projects and the purposes of their constructions are different from each other. One attempts to attract as much capital as possible in order to show off its social and cultural capitals (Iran mall- Tehran), and the other aims at economic and political benefits in competition with similar projects. Regarding land prices, in addition to the fact that these two projects have caused significant increases in land values of the host districts, they have also transformed the social structure of the residents living there.

In this study, the term resilience has been examined in terms of ecological, economic, and cultural parameters specific to residential areas. Recently, changing needs and increasing the speed of change due to developing technology are reflected as internal and external threats to residential areas. Change is inevitable for each parameter over time, but it can also pose a threat to the morphology and identity of residential areas. The buffer zone to be created by the residential areas against this threat reduces the severity of the incoming impact and revises it and provides the adaptation of identity and morphology dynamics to the new situation with its resilience. In the first part of the study, the identity of the settlements and the resilience factor against change/transformation threats are explained according to the definitions in the literature. In the second part, the dynamics of rural settlement morphology are defined and the effect of rural resistance on the dynamics is presented. In the last part, a stratification analysis is made according to certain year intervals over the Kargalı district (village) of the Polatlı District of Ankara. The sample was analyzed in terms of rural area, road traces, environmental location relations, structural boundaries, landmarks, and the changes/transformations of all these morphology dynamics over time, its resilience, and adaptation/mutation processes. The effects and possible results of the resilience of rural settlements for sustainable rural settlement, which are more affected by similar internal or external threats than urban, on the dynamics of settlement morphology and resident over time, constitute the desired findings of the study.

This article engages with the role of what one might tentatively call “secondary” urban spaces, in that while they are public, they are not the most vibrant, populated, or active places. These are not the spaces envisioned in many project illustrations. They are not full of people and activity. They are however a crucial part of a wider texture of urban situations, and important to extending our understanding of seclusion, solitude, and tranquility beyond distant parks and recreation areas. My aim here is to understand the emergence of these spaces in-between; those that are close to the vibrant streets and are embedded in city centers yet which offer a respite from the most bustling urbanity. These spaces, I will argue, more easily allow for the kinds of interactions that can lead to bridging and bonding with the unknown, in addition to the important everyday encounters that occur on central streets and squares. Using qualitative methods which build on Lefebvre’s rhythmanalysis, the discussion will draw on observations of the syntactic properties that condition, enable, and characterize such spaces, and address a series of concepts, including capacity, insulation, sequencing, and interface. A better understanding of such places, it is argued, not only allows a richer set of tools for working with urban design and planning, but offers possibilities for more resilient planning in terms of generating social relations, the emergence of communities, and for cities to manage and withstand extraordinary conditions.

Armed conflict is considered a major risk for cultural heritage since the Second World War and guidelines are prepared by international organizations such as UNESCO and ICCROM on risk management and protection of cultural heritage in conflict-affected areas. However, the main concerns are reducing risks prior to the armed conflict by identifying, analyzing, evaluating, treating and monitoring risks and managing them before the risk occurs. The literature is quite narrow in respect to the ways of protecting cultural heritage and sustaining life for both buildings and people in intentionally destroyed historic settlements. Within this context, this study aims to raise the question on how to manage change in the intentionally destroyed historic settlements and how to strengthen resilience in conflict-affected areas. In order to achieve this aim, an examination on two case studies, Kirkuk Citadel and the Old Town of Van, which were both intentionally destroyed as a result of armed conflict is made using comparative analysis method. The cases are chosen to represent different time periods, scales and types of destruction. Depending on the international law and guidelines, the study tries to understand the impact of armed conflict on the historic settlements embracing tangible and intangible cultural heritage, types of risks that threaten them and the ways to strengthen resilience in such areas. It is revealed as a result of the study that for both case study areas, being in the tentative list of UNESCO World Heritage is seen a primary step to be internationally recognized and to claim help for future actions aiming to reduce risks. Nevertheless, it can be argued that strategies have to be developed depending on the size and level of destruction, and the level of intervention to preserve and to rehabilitate life in such historic settlements, as each intentionally destroyed historic settlement has unique cultural, political and economic characteristics.

What is the right location for a university campus? Universities have a preponderant role in today’s societal models. They have been in the core of development — economic, social, sustainable, inter alia — and their role within urban context has changed in order to respond to the university mission — that nowadays includes of civic engagement as well as a stronger participation in economies, through the development of startups and innovation ecosystems. This paper relies on the premise that, even in a post-pandemic world, the Campus is still a window to the world, it can shape the perception people have of the University, can be used as a branding asset and, most of all, impacts the lives of everyone living, learning, and working there. The Campus is a very powerful tool, one that universities worldwide have been using as a way of positioning themselves, of attracting students and faculty, and also creating synergies and relationships with companies. It shapes the relationships created inside and outside of it. As such, this research argues that universities can be key elements in generating and enabling dynamic synergies, promoting the presence of students, academics, and learning spaces in urban contexts. To accomplish this, universities should preserve their spatial identity and uniqueness, while guaranteeing the existence of adequate places for all learning related activities and embodying inclusion and sustainable development, promoting encounters and interaction. These two needs, for inclusion and livelihood while safeguarding some privacy coexist creating some tension for all campus users. With this issue in mind, this paper explores an analytical framework for university campuses within urban fabrics, understanding the different types of urban insertion and connections established with local and regional players, and exploring the dichotomy between closeness centrality and betweenness centrality, as variables than can be used to balance the tension between integration and privacy that affects university campuses and academic communities worldwide. Four compact university campuses that host similar functions are used to test the methodology: Simon Fraser University in Burnaby, Canada; Aalto University in Espoo, Finland; MIT in Cambridge, MA, USA; and Yale University, in New Haven, USA. This paper relies on syntactic analysis to provide deeper information and some clarification on the university location and accessibility within the urban fabrics.

Urban form in Shkodër is studied according to six stages during the period 1479-1913, which are reconstructed based on historical descriptions, maps, photographs, and the spatial interpretation of the Venetian cadastral registry in 1416. Like other Ottoman cities in the Balkans, the old quarters in Shkodër evolved by preserving the original medieval street network, while the new part of the city grew by expanding suburbs with dendritic street patterns and large plots along existing intercity arterial roads. The unique location of the city confined by hilly ranges and surrounded by three rivers and a lake produced a distinctive urban form due to the position of the external bazaar and the crisscrossing of arterial roads. The comparative space syntax analysis of the street network for each stage reveals a gradual transformation in the spatial structure of the city broken by two stark changes: during the early Ottoman period when the bazaar became distinctively more central in comparison to the living quarters, and after the opening of new boulevards during the late Ottoman period when the new urban center that emerged in the new city drew the spatial integration away from the historical bazaar.

Building Back Better in disaster recovery and reconstruction requires the adoption of integrated and context-sensitive approaches to the design and planning of Temporary Housing (TH) sites. However, there is a lack of methods for enabling successful outcomes in housing assistance provision, e.g. via a quantitative evaluation of the social-spatial qualities of the sites, and supporting the negotiation of urban design changes and the development of a coherent end-of-life plan. The paper aims to uncover formal analogies between different TH sites’ layouts by linking Space Syntax and Clustering analysis within an unsupervised machine-learning pipeline, which can consider a virtually unlimited number of configurational qualities and how they vary across different scales. The potential benefits of the proposal are illustrated through its application to the study of 20 TH sites built in Norcia after the 2016-2017 Central Italy earthquakes. The results indicate the proposal enables distinguishing different types of spatial arrangements according to local strategic priorities and suggest the opportunity to extend the study in the future to set up rules of thumb for the design of site layout options. The paper ultimately aims to equip local administrations and contracted professionals with a much-needed tool to develop and rapidly audit proposals for temporary neighbourhoods oriented at enhancing the resilience of disaster-affected towns both in the medium and in the long term.

In the restructuring of the cities today, economic growth and its reflective trend multi-centred, urban development pattern made business enterprises shifted its locational choice in a decentralized way. As the focus of this paper, construction firms expended their market areas as well. The present study investigates the spatial distribution of construction firms according to the variables of socio-economic characteristics of districts and total construction sizes within the concept of multi-centre development in Istanbul. The paper describes the growth of the city and the construction firms through time according to the concentric zones and districts, firstly. Then descriptive figures and results of regression analysis are given by taking the number of construction firms as dependent variable and population, income per capita, average household size and amount of construction activity as the independent variables. Main hypothesis of this paper is that socio-economic indicators and total size of construction in building permits can explain the variance of number of construction firms in Istanbul district. Overall results from the multiple regression model indicate that the role of socio-economic indicators and total size of construction in building permits on the distribution of construction firms is proved on a large scale in the study. The spatial distribution of the construction firms has been figured out that the sub-central, peripheral districts of Istanbul have sustained the significant role in a way that responds to the construction supply, and housing sub-markets. However, the intense construction trends in the periphery reveal a fact that these firms preserve the location of their management offices in the sub-centre with relatively higher economic attraction, in central districts.

The intrinsic relationship between art and the public has changed as public art has greater visibility in contemporary urban space. Especially following the growing interest in placemaking in spatial planning and design, many cities in different countries tend to experience an unprecedented transformation of urban space displaying various modes of artistic performances open for the public. As a visual art, the mural could be considered one of the leading creative activities in the cities' public domain. The ever-increasing popularity of murals as public artwork made the local governments tend to introduce some programs to steer the performance of the art within the very spatial condition of the city fabric. Along with its vivid cosmopolitan culture, Istanbul has performed as the cultural hub of the contemporary arts located both indoor (the various size of galleries) and the city's outdoor spaces. As one of the central neighborhoods in Kadıköy district in İstanbul, Yeldeğirmeni, represents a very relevant context to investigate the issue public art in urban space. Having accommodated an international mural festival in 2012, the district has turned into an experimental site for various mural practices. The extent of the art in the urban space calls for morphological research to test the perceptual performance of the artwork in terms of the characteristics of the physical fabric in which the murals locate. The paper, in this context, conducts a spatial analysis focusing on network integration, visibility, and townscape characteristics of the neighborhood fabric. The research findings are correlated with the level of recognition of the murals by the public to reveal the conditional relationship between the spatial morphology and the perceptional capacity of the murals as public art.

Over a half-century, space syntax has proven resilient as a theory and method for describing and analyzing the built environment from dwellings and complex buildings to cities. The paper briefly discusses resilience as a concept in the built environment and the foundations of space syntax itself. We summarize the body of the theoretical thinking in space syntax – laws of the urban object, generic function, principles of centrality and linearity, the design method of spatio-formal processes, and laws of spatial emergence-convergence – before offering a new hypothesis about laws of spatial conservation and spatial optimization at work in the built environment. The latter builds on Conroy-Dalton’s (2001) ideas about angularity and the conservation of linearity in movement. Both could provide an essential bridge with Carvalho and Penn’s (2004) concept of self-similarity in settlements, which relates to Batty and Longley’s (1994) notions of fractal cities. We argue the hypothesis of conservation-optimization defines the conceptual framework for the progressive and regressive practice of urban planning in settlements. We illustrate this theoretical discussion by demonstrating the resilience or replication of previous space syntax findings, and by drawing on new research about the history, spatial structure, and neighborhood logic of Metropolitan Doha.

Physical environment has long been recognized within occupational therapy as a key factor contributing to residents’ functional abilities. However, the specific aspects of the physical environment that matter and the extent to which they do so remain less understood. This paper reports a quantitative study of the relationship between a characteristic of the physical home environment—the degree of interconnectedness of its rooms—and the cognitive ability of adults. Working with demographic, health, and home layout data collected from a sample of community-dwelling older adults in Atlanta, Georgia (N=72, Mage=69.5), we found that the cognitive functioning determined by the Montreal Cognitive Assessment (MoCA) score was significantly associated with the average connectivity and mean depth of the homes while controlling participants’ age and education. Regression analysis suggested home connectivity independently explained a little more than 4% of the variance in the MoCA scores. The results further revealed that the relationship may be better modeled using non-linear models, and that the increase in the numbers of circulation rings as average room connectivity rises may be partly, but not entirely, responsible for its association with cognitive ability. The study points to directions for further work, including causal modeling, based on recommendations that could be developed for homes to support older adults’ abilities to continue to reside in their own homes as they grow older.

Capital cities have a major role in carrying the symbolic meanings of their countries. Planning decisions and historical periods affect their urban forms and development processes. This research examines the morphological evaluation of Ankara—the capital city of Turkey—and provides an approach to understanding its unique physical structure. Ankara has witnessed strategically important planning periods through its history that are reflected in its urban form. The historical periods affecting the developing process of the capital city are analyzed through a mathematical method called "Space Syntax" which contributes to the field of urban morphology with a quantitative perspective. The analytical framework investigates the changing process of Ankara's unique urban axis and morphological structure. Its different historical periods show that the capital city is constantly changing. Ankara's monumental city axis, which shows its traces since the formation of the city, still exists today. However, this unique axis, which connects the historical core areas of the capital city, has lost its potential today. Due to economic and political demands, the main axis, namely Atatürk Boulevard, has been replaced by a newly formed western artery. Understanding Ankara's forming and changing process will enhance its subsequent development plans. By evaluating a unique capital city from Turkey with a morphological perspective, this research will contribute an approach to future studies.

The design for the Superquadra Norte 109 [North Superblock 109] of the Brasília Pilot Plan, Brazil’s Federal Capital, has started from a critical appraisal of the existent superblocks and makes a proposal that intends to: 1) establish clear relations of the block with the surroundings, stressing the importance of elements as the entrance for vehicles, the bus stop and the connections with the local shopping and the club, through the dimension and form of places, the localization of facilities, public lighting and vegetation; 2) improve internal legibility of the block, by creating places clearly defined by the buildings, to which entrance doors open; 3) create a street system in rings, not in a tree-like one, which are common in the existing superblocks, to improve internal circulation; 4) locate facilities internal to the superblock accessible to its entrance, by recognising (against what was predicted) that non-locals use them; 5) establish a continuous system of sidewalks that privileges the pedestrian, not the vehicle, as is traditional; 6) use vegetation and illumination to reinforce the identities of places in the superblock; 7) implement a configuration that explores a clear variation in forms, dimensions and uses, which favour the identity and orientability of the block; 8) configure open spaces and localise facilities of the superblock to favour co-presence and co-awareness among the inhabitants and between the latter and those passing by.

According to the World Health Organization, disasters are the unexpected consequences of occurrences that cause a level of suffering that exceeds the capacity of adjustment of the affected community. Available records indicate that natural, technological and man-made disasters -by causing loss of lives and property- affected more than 4 billion people worldwide in the last 20 years. People with disabilities are among those who are highly fragile and physically vulnerable to the dangers and risks posed by disasters. The actual reason behind why people with disabilities are rather vulnerable to the adverse effects of natural and man-made disasters is the fact that they have no access to social, spatial and civil resources. According to the United Nations Inclusive Disaster Risk Management Report, in the event of disasters and emergencies, individuals with disabilities are affected disproportionately due to the inaccessibility of the evacuation, response, and rescue efforts. The 7th Millennium Development Goal (1990-2015) emphasizes that improvements in humans’ lives and in the environment are critical to ensure environmental sustainability, and it highlights the need to ‘build a disaster-resilient community.’ Resilience to urban disasters shows a community’s ability to adapt to natural and man-made disasters and hazards, to keep any potential threats away, and to evaluate the consequences and modify existing conditions. This study focuses on accessibility in disaster-resilient cities, and it aims to evaluate the components of urban resilience, which helps to eliminate the damages of disasters and to recover, with a particular focus on the accessibility of individuals with disabilities. Based on the available literature, the study evaluates the outcomes of a workshop that was conducted with 40 participants in August-September 2021 as one of the events in preparation for MARUF21. The participants were local officials who are in charge of and accountable for disaster and emergency management, and individuals who are vulnerable to disasters and emergencies. The findings and results of the study are presented under four headings: (i) Accessibility of Urban Spaces in Disaster and Emergency Management, (ii) Risk Management and Accessibility in Cultural Heritage Areas, (iii) Social Policies and Accessibility in Disaster and Emergency Management, and (iv) Accessibility to Communication, Technology and Innovations. The study highlights that accessibility in disaster and emergency management extends beyond spatial organization, and it is a prerequisite for social harmony and disaster resilience.