The Ulli Beier Archives at the Centre for Black Culture and International Understanding (CBCIU), Nigeria, and a Summary of Holdings

Abstract

The Centre for Black Culture and International Understanding (CBCIU) was established on 7 January 2009. Located behind the Osun State Secretariat, southwest Nigeria, the CBCIU prides itself on being the inheritor of the archival estate of Ulli Beier, the late German connoisseur and African culture enthusiast. Housed in its Archive and Documentation Room/Unit, this repository contains very rich archival materials that include over 700 photographs with carefully preserved negatives and slides all dating back to the 1950s, 1960s and early 1970s, and thousands of works of literature published between 1921 and the 2000s on virtually all aspects of Yoruba art, culture, philosophy and intellectual history. Based on fieldwork conducted at the CBCIU in 2018 and 2019, this study embarks on three mutually-connected transactions. First, it examines Ulli Beier's ‘cultural border-crossings’ into Yorubaland, particularly in Osogbo, southwest Nigeria, where his diverse cultural interactions facilitated the revival of a diminishing culture. Second, the study discusses the genesis of the CBCIU dating back to Ulli Beier's emergence in Nigeria in 1950. Third, it analyses what it means for the CBCIU to inherit an invaluable material legacy. This is done by giving an account of the inventories and a summary of the holdings in the Archives. While the Archive forms the very nucleus of what the CBCIU stands for, I argue that this agency serves as a worthy inheritor of a material legacy that continually seeks cultural relevance and perpetuity.