The artist's work is a tool for direct or indirect message transmission. If you look closely at the works, you can find out the times, lives, and messages they lived in. In particular, re-illuminating the works of the past that we did not live in allows us to know the message of the times and lives in which they lived. Therefore, it is necessary to study the works of the past. The purpose of this study is to analyze and study the inner meaning of each film by selecting related films to analyze women's message expression methods. The scope of the study was to study the lives and works of female musician Clara Josephine Schumann (1819–1896) and novelist Adeline Virginia Woolf(1882–1941), re-examined in modern times. To this end, we analyzed the visual and auditory elements of the female protagonist, focusing on the films 『Geliebte Clara, 2008』 and 『The Hours, 2002』, in which their lives and works were made into films. The visual point of view analyzed the characters' psychology and the auditory point of view analyzed the movie music. Through the analysis, it was possible to know the psychological state of the person projected in the music and the psychological state of the person projected in the literature. As a result of the analysis, in the case of film music, emotions were expressed by playing melodies using the intrinsic music played by the characters themselves. In particular, music was used instead of dialogue to express the psychology. The music and novel used in the film conveyed emotions to others, and the conveyed emotions developed the film's narrative.