Abstract
The article examines the paradoxicality of the notion of freedom in the theodramatic approach of Hans Urs von Balthasar. The main subject concerns the paradox of finite and infinite freedom and their relationship described in the second volume of Theo-Drama. The thought of the Swiss theologian is compared with the reflections of Henri de Lubac and Józef Tischner. The confrontation of their approaches in the context of the chosen topic made it possible to apply a new research method. Instead of the dialectical method, typically used in this context, a method concentrated on identifying the paradox and exploring the mystery behind it has been applied. This approach has led to a deeper understanding of the key role of the dynamical nature of finite freedom and has indicated the importance of proper identification of its source. It has allowed also displaying the inalienable nature of the Christological dimension to understand correctly the concept of infinite freedom and the most important feature of its essence. Finally, it has also helped to gain an in-depth insight into the conditions regarding the possibility of a genuine, though not symmetrical, relationship between the two freedoms.