Abstract
Summary Literary self is an essential component of Pliny’s self-representation. Pliny’s literary self-portrait is shaped the way he wants it to be by a diverse set of literary techniques utilized in the letters. My paper explores the questions formulated in the letters that thematize the selection and composition of text, and the answers given to them (not necessarily in the form of assertive sentences). This interpretation is not independent from the self-representative character of the letters, yet, it exceeds it on the premise that another dimension may be opened to the understanding of the letters, which points towards the development of the literary and artistic taste of the first century, and its directions.