Theatrics of Achebe’s Arrow of God as Matrix for Dramatic Adaptation

Abstract

This paper seeks to examine the theatrics of Chinua Achebe’s Arrow of God with a view to verifying their potential for the novel’s dramatic or stage adaptation. The paper is motivated by the assumption that the theatrics can be artistically synthesized to create a play script or performance that can be more aesthetically and ideologically appreciated than the novel. In view of this motivation and to inspire many effective adaptations of the novel, the following questions need to be addressed by the paper: What are theatrics? What impressions, performances, behaviours and effects exemplify the theatrics of the novel? How do these exemplary theatrics constitute a matrix for dramatic or stage adaptations of Arrow of God? While addressing these questions, the paper hopes to achieve its major objective of verifying the theatrics of the novel and suggesting how they can work together as a matrix for adaptations.