Narrating Marginality: Gender Crisis in Shashi Deshpande’s The Dark Holds No Terror
Published: 30 December 2022
The Creative Launcher , Volume 7, pp 171-176; https://doi.org/10.53032/tcl.2022.7.6.19
Abstract: Feminine sensibilities and gender issues are based on different cultures and diasporic essence. The desire and aspirations of women of different countries are not similar. Their demands are influenced by a number of variables, including familial, societal/racial, marital, economic, cultural, and personal ones. It is considered incorrect to compare Indian feminism to western feminism, which is characterised by radical rules, in such a varied culture. In its early stages, Indian feminism was wholly liberal and addressed every facet of mankind. There hasn't been a significant political or social uprising in India against the male-dominated culture. In beginning, they seek to address the inequality and dissimilarity that existed between males and females. They desired to bridge the gaps between men and women through their social revolt and provide the psychological reason for the male violence against women. Some feminist intellectuals extended the gender issues focusing the intention on rape and other forms of sexual violence. To them, such gender issues of exploitation are because of the male dominant society. They agree with Liberal feminists that material change and patriarchy is the sole reason for women's discrimination. They argue against the existing tradition of love, marriage, and gender inequality and demand equal social rights. The women writers like Shashi Deshpande have used fiction to explore and share their experiences. The myriad conflicts, which they face in everyday lives, are woven into the fictional world of their creation. To Shashi Deshpande, traditional beliefs also play a major role in female discrimination.
Keywords: Cultural identity / Gender issues / Race / Ethnicity / Civilization / Western culture / Diaspora / Marginality / Violence / Exploitation
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